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Full-Text Articles in History
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
David B. Dennis
No abstract provided.
Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis
Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis
David B. Dennis
A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.
Postmodern Musicology, Babette Babich
Postmodern Musicology, Babette Babich
Babette Babich
The discipline of musicology is a rather specificially 20th century institution growing out of a disparate range of 19th century studies of music theory, history, composition, etc. The OED edition extant at the time of the writing of this article dates the term musicology itself to 1909 or later. Although there are indeed practitioners throughout the world, most theorists are Anglo-American, with echoes in the French tradition of musicologie and German Musikwissenschaft. As a still-modern project, postmodern musicology derives from a predominantly Austro-German generation of scholars who translated an originally European tradition of analysis (Heinrich Schenker and -- in …