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Selected Works

Carolyn Ellis

Autobiography

Discipline
Publication Year

Articles 1 - 3 of 3

Full-Text Articles in History

Making Autoethnography Sing/Making Music Personal: Introduction, Carolyn Ellis, Brydie-Leight Bartlett Dec 2008

Making Autoethnography Sing/Making Music Personal: Introduction, Carolyn Ellis, Brydie-Leight Bartlett

Carolyn Ellis

Autoethnography is an autobiographical genre that connects the personal to the cultural, social, and political. Usually written in the first-person voice, autoethnographic work appears in a variety of creative formats; for example, short stories, music compositions, poetry, photographic essays, and reflective journals. Music Autoethnographies explores an intersection of autoethnographic approaches with studies of music. Written through the eyes, ears, emotions, experiences and stories of music and autoethnography practitioners, this edited collection showcases how autoethnography can expand musicians' awareness of their practices, and how musicians can expand the creative and artistic possibilities of autoethnography. The chapters in this ground-breaking volume stand ...


Final Negotiations: A Story Of Love, Loss, And Chronic Illness, Carolyn Ellis Dec 1994

Final Negotiations: A Story Of Love, Loss, And Chronic Illness, Carolyn Ellis

Carolyn Ellis

"This is a remarkably revealing portrait of a couple dealing with a debilitating chronic illness." --Kirkus Reviews "In this deeply poignant and personal text Carolyn Ellis offers a brilliant account of how the lingering death of a loved one creates the occasion for radical redefinitions of self. Death is a shared project. Loved ones do not always go gently into the good night. This is a story of death, identity, and love. In this work Ellis gives Gene Weinstein the greatest gift of all, a loving death. In so doing, she shows all of us how to do the same ...


There Are Survivors: Telling A Story Of Sudden Death, Carolyn Ellis Dec 1992

There Are Survivors: Telling A Story Of Sudden Death, Carolyn Ellis

Carolyn Ellis

This article is a personal narrative of a family drama enacted in the aftermath of my brother's death in an airplane crash. “True” stories such as this fit in the space between fiction and social science, joining ethnographic and literary writing, and autobiographical and sociological understanding. My goal is to reposition readers vis a vis authors of texts of social science by acknowledging potential for optional readings and encouraging readers to “experience an experience” that can reveal not only how it was for me, but how it could be or once was for them. This experimental form permits researchers ...