History Commons^™

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

The Carthusian Influence On Werner Rolewinck’S Approach To History, Nathaniel Harris

Fasciculus Temporum

The Carthusian Order was founded in 1084 by St. Bruno of Cologne and a small number of followers, all seeking greater solitude and a more austere, contemplative monasticism. Carthusian monks lived predominantly isolated lives, only coming together co-operatively for prescribed religious purposes.

The intellectual and separate life of a Carthusian monk appealed to Werner Rolewinck (1425-1502), the author/compiler of the Fasciculus temporum, one of the two texts (together with the Malleus maleficarum) included in Portland State University Library’s late fifteenth-century codex. With its structure modeled on early chronicles and biblical conventions, its inclusion of a variety of woodcut …

Watermarks In The Psu Codex Fasciculus Temporum And The Paper Trade, Christian Graham

Extra-Textual Elements

Medieval watermarks were introduced into early printed works during the production process of the paper. It is not known exactly when or why they came into common use, but they did come to identify specific paper suppliers.

As the number of paper suppliers grew enormously in concert with the growth of popularity of printed books, identifying the watermarks of specific producers can provide the modern scholar with valuable information about an early printed work, including dating editions and providing insight into trading relationships and connections between paper-makers and printers.

This paper examines some of the watermarks present in the PSU’s …

Manuscripts, Incunables, Books: How And Why The World Chronicles Changed, Philippe Kerstens

Fasciculus Temporum

The basic purpose and outline of a world chronicle was to outline the history of humanity, the kingdoms, and Christendom for the reader. When the method of producing chronicles changed from manuscript to the printed page, there was a corresponding physical change in the layout and appearance of the final product. Whether through the use of cheaper material (paper), a shift in design and style, or a further customizability, these changes reflected and signified consumers’ evolving expectations of the product itself.

Incunables gradually transformed from heavily decorated, printed editions resembling earlier manuscripts to increasingly simple printings. PSU’s edition of the …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

Watermarks In The Psu Malleus Maleficarum, Laura Lindenthal

Extra-Textual Elements

This paper seeks to connect the watermarks found in PSU’s codex to the printer (or printers) of the included texts, the Malleus maleficarum and the Fasciculus temporum. Specifically, this essay considers three watermarks found on the paper of the Malleus maleficarum, one of which, an ox-head with staff, occurs on a blank page between the Malleus and the Fasciculus temporum, which precedes it in the codex. These watermarks and their common variations are described and their inclusion in several watermark databases is discussed. The three marks found in the Malleus maleficarum may be directly connected to the printer, …