History Commons^™

Database Of Marginal Notation In The Psu 1490 Codex: Objectives, Organization, And Continuation, Andi Johnson

Extra-Textual Elements

Portland State University Library's combined 1490 editions of the Fasciculus temporum and Malleus maleficarum contain over 150 individual marginal markings and notations. These marks have been made by numerous readers throughout the monograph's five-century lifespan.

This report accounts for efforts to construct a tool that would allow future students and scholars to visually compare and organize marks was needed before any in-depth analysis of readership could be made, describing the objectives, processes and applications that have defined its development. The tool that was needed was a visual database that enables the visual comparison of markings within the two texts. This …

Review, Introduction, And Preliminary Documentation Of Marginalia In Portland State University’S Fasciculus Temporum/Malleus Maleficarum Sammelband, Samuel Barnack

Extra-Textual Elements

This paper presents an overview of the contents of the new database of written marginal notations in Portland State University’s fifteenth-century printed codex, and some of the research threads that can be taken up from a study of those notations.

The motive for this project was an interest in readership usage of the codex and the two books contained within it. It begins by discussing terms that Andi Johnson and I elected to use to tag and name different categories of features, then I discuss some of the findings and possible future research avenues that can expand on them.

Finally, …

Hunting The Other: Witch Trials In Lorraine, 1490s-1590s, Morgan Gubser

Malleus Maleficarum

This paper provides a general survey of witch trials in sixteenth-century Lorraine, where Portland State’s 1490 incunable was held by the abbey of Saint-Avold (Saint-Nabor) of Metz. It includes a brief introduction to the region, information on structures of authority, and a description of the witch trials undertaken there.

It will also include notes on what statistical analysis currently exists regarding Lorraine witch trials, as well as notes regarding the connection that witch hunting has to the PSU Malleus Maleficarum in Lorraine. There is also a statistical analysis included that takes data collected from the existing database of witch trial …

How Tales Of Blood Libel Travel: Depictions Of Jews In Fifteenth-Century European World Chronicles, Rachel Bard

Fasciculus Temporum

This paper considers the correlation between the popularity of Werner Rolevinck’s Fasciculus Temporum and other world chronicles, and the antisemitic tropes and blood libel accusations directed against Jewish communities in later medieval Europe.

The Fasciculus repeats many stock tales of Jewish ritual murder, including a relatively little-known story from Bern, Switzerland, that Rolevinck may have adapted from the Berner Chronik. This paper also considers the connection the first Spanish printing of the Fasciculus Temporum, in Seville in 1480, with the only known Jewish ritual murder accusation in Spain, which dates to 1490, and which in turn may have been …

Watermarks Of Portland State University’S 1490 Codex, Duane Wiegardt

Extra-Textual Elements

This paper and its accompanying research endeavored to locate, catalog, and identify as fully as possible the watermarks observed throughout Portland State University’s (PSU) 1490 bound codex containing the Fasciculus temporum omnes antiquorum cronicas complectens (FT) and Malleus Maleficarum (MM).

Dozens of watermarks of several categories have been located and cataloged. A listing of the marks found on each leaf of the FT and MM has been constructed for continued use by future researchers. Study of the watermarks also sheds light on the codex’s binding.

Witchcraft Trials In The Rhine Region In The Sixteenth Century, Adam Cooper

Malleus Maleficarum

This paper examines the dynamics of witchcraft trials in the Lorraine through a selection of late sixteenth-century examples. It shows that local dynamics, including personal relationships between accused witches and their accusers, as well as the accused’s social class, could affect trial proceedings and outcomes.

Prominence Of Manicules Within Early Editions Of The Malleus Maleficarum, Matthew Jurkiewicz

Extra-Textual Elements

Marginal notation is extremely common in incunabula. The Portland State University Malleus Maleficarum (1490) is no exception to this trend, and contains various types of marginal notation throughout the text. Among them are three examples of manicules, a form of notation where readers draw a hand to note important sections of a text.

This paper examines the frequency of manicules in fifteen different early copies of the Malleus Maleficarum, along with the sections of the text in which the manicules are concentrated, in order to ascertain whether or not the usage of the PSU Malleus Maleficarum shares similarities with …

Studying The Binding Of Portland State’S Codex To Localize Production, Allison Kirkpatrick

Extra-Textual Elements

This paper examines Portland State’s 1490 codex as a material object by studying the stamp designs on its covers to determine where and when it may have been bound.

Four stamp designs are discernible, and these were compared to rubbings of stamp designs from fifteenth- and sixteenth-century incunable bindings in the Einbanddatenbank and Scott Husby Database. The findings from this study point to Erfurt, Germany, and more specifically the workshop of Nicolaus von Havelberg (active 1477–1506), as the probable binding site.

Vernacular Print, Johann Prüss, And The Fasciculus Temporum, Julia Hines

Fasciculus Temporum

This research discusses biographical information on Strasbourg printer Johann Prüss and his vernacular German work, and offers a statistical and categorical comparison to other contemporary Strasbourg printers and their vernacular German works.

Using the British Library's Incunabula Short Title Catalogue (ISTC) and other sources, I created a table in the appendix that lists all the known vernacular works of each printer and their date of publication. Lastly, this paper discusses the similarities and differences between the 1490 Latin edition of the Fasciculus Temporum and the following German edition printed by Prüss in 1492.

Marginalia And Nota Bene In The Fasciculus Temporum: Frontispiece And Folios 4-23, Michael Jeremy Maly

Fasciculus Temporum

The goal of this project was the creation of a catalogue of all marginal notes and nota bene intended to draw attention to specific passages within the Fasciculus temporum.

This catalogue is meant to be used as a quick reference for readers to assist in finding specific marginalia and nota bene with greater ease. It covers folios 4-23. This compilation of notes written in the Fasciculus temporum could also be used as a research tool for further study of this edition (Prüss, Strassburg, c.1490) of the Fasciculus temporum.

This catalogue describes the notations by folio and location on the …

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Fasciculus Temporum: Extra-Textual Genealogy, Amanda Swinford

Extra-Textual Elements

Following the printed text of the Fasciculus temporum in PSU Library's codex is a concise, six-line, handwritten verse genealogy which lists the three husbands and three daughters, all named Mary, of St. Anne, the mother of Mary and maternal grandmother of Jesus.

The source of this addition is the Legenda aurea, a popular compilation of hagiographies, composed in Latin by Jacob Voragine (1230 - c.1298) in approximately 1270. This content was included by the publishers of certain other editions of the Fasciculus temporum, but is not included in the printed portion of the PSU edition.

Pope Innocent Viii (1484-1492) And The Summis Desiderantes Affectibus, Maral Deyrmenjian

Malleus Maleficarum

The papal bull (or decree) Summis desiderantes affectibus, issued in 1484 by Pope Innocent VIII (1484-1492), specifically addressed the malign presence of witches and witchcraft in the Holy Roman Empire and authorized a formal inquisition into their activities. It was one of several official condemnations of heretics and other enemies of Christendom, both groups and individuals, issued during Innocent VII’s reign.

Heinrich Kramer, the primary author of the Malleus maleficarum (1486/7) prefaced the second edition of his witch-hunting manual with the Summis desiderantes affectibus without explicit permission; scholars argue that he considered it likely to bolster the work’s authority …

Women Or Witches? Why Women Were The Target Of The Malleus Maleficarum, Remington Mederos

Malleus Maleficarum

The fifteenth century saw advancements in a variety of fields, including the discovery and development of the printing press. Despite developments in many aspects of society, women lived under a cloud of misogyny. The inquisition and the witch hunts that became prevalent during this period made many women targets of mass hysteria and violence.

Witches became the focal point of clerical demonologists who sought to study the manner in which the devil worked through women to interfere with God’s creation and sacraments. One such demonologist was Heinrich Kramer, who wrote a manual for the discovery, interrogation, prosecution, and eventual execution …

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

The Carthusian Influence On Werner Rolewinck’S Approach To History, Nathaniel Harris

Fasciculus Temporum

The Carthusian Order was founded in 1084 by St. Bruno of Cologne and a small number of followers, all seeking greater solitude and a more austere, contemplative monasticism. Carthusian monks lived predominantly isolated lives, only coming together co-operatively for prescribed religious purposes.

The intellectual and separate life of a Carthusian monk appealed to Werner Rolewinck (1425-1502), the author/compiler of the Fasciculus temporum, one of the two texts (together with the Malleus maleficarum) included in Portland State University Library’s late fifteenth-century codex. With its structure modeled on early chronicles and biblical conventions, its inclusion of a variety of woodcut …

The Marginalia Of The Malleus Maleficarum, Christian Stecher

Malleus Maleficarum

This paper presents a comprehensive collection of transcriptions of the marginalia found inside the Malleus maleficarum (Drach, Speier, 1490) at Portland State University and brief analyses examining the passages in which they occur, as well as English translations of the original Latin.

The marginalia consist of all occurrences of marginal annotations, underlining, or other signs of note-taking by previous owners throughout the entire book.

Woodcuts Of Human Oddities In The Fasciculus Temporum, Brady Brick

Fasciculus Temporum

This paper focuses on two woodcut images of human oddities in Portland State University’s edition of the Fasciculus temporum (Prüss, Strassburg, 1490).

One woodcut shows children with birth anomalies affecting their eyes, arms, and legs. The second is of a cynocephalus or dog-headed man. The history and context of these types of images and their significance within the text are both considered. This paper also examines possible medical explanations for the physical anomalies shown in the woodcut images.

Malleus Marginalia: What Can Be Learned From The Marginalia In Portland State University's Edition Of The Malleus Maleficarum, Sarah Alderson

Extra-Textual Elements

In 2018, Portland State University Library Special Collections acquired a second edition Malleus maleficarum, printed by Peter Drach of Speier in 1490, which is bound with a copy of Werner Rolewinck’s Fasciculus temporum (printed by Prüss, Strassbourg).

In this copy, three separate notetakers’ handwriting may be identified. We know this because there are three distinctive scripts present in the margins of the texts, on the title page of the Fasciculus, and on blank folios between the two texts. This paper explains the relevance of the handwriting and the research behind the identification of the scripts.

Watermarks In The Psu Codex Fasciculus Temporum And The Paper Trade, Christian Graham

Extra-Textual Elements

Medieval watermarks were introduced into early printed works during the production process of the paper. It is not known exactly when or why they came into common use, but they did come to identify specific paper suppliers.

As the number of paper suppliers grew enormously in concert with the growth of popularity of printed books, identifying the watermarks of specific producers can provide the modern scholar with valuable information about an early printed work, including dating editions and providing insight into trading relationships and connections between paper-makers and printers.

This paper examines some of the watermarks present in the PSU’s …

Manuscripts, Incunables, Books: How And Why The World Chronicles Changed, Philippe Kerstens

Fasciculus Temporum

The basic purpose and outline of a world chronicle was to outline the history of humanity, the kingdoms, and Christendom for the reader. When the method of producing chronicles changed from manuscript to the printed page, there was a corresponding physical change in the layout and appearance of the final product. Whether through the use of cheaper material (paper), a shift in design and style, or a further customizability, these changes reflected and signified consumers’ evolving expectations of the product itself.

Incunables gradually transformed from heavily decorated, printed editions resembling earlier manuscripts to increasingly simple printings. PSU’s edition of the …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

Watermarks In The Psu Malleus Maleficarum, Laura Lindenthal

Extra-Textual Elements

This paper seeks to connect the watermarks found in PSU’s codex to the printer (or printers) of the included texts, the Malleus maleficarum and the Fasciculus temporum. Specifically, this essay considers three watermarks found on the paper of the Malleus maleficarum, one of which, an ox-head with staff, occurs on a blank page between the Malleus and the Fasciculus temporum, which precedes it in the codex. These watermarks and their common variations are described and their inclusion in several watermark databases is discussed. The three marks found in the Malleus maleficarum may be directly connected to the printer, …

16, The Nativity, Jereme Shaver

Kerver Book of Hours: 2018 Senior Capstone

In Thielman Kerver’s 1507 Book of Hours, a depiction of the Nativity of Christ is located in the Infancy Cycle within the Hours of the Virgin. Placement of this image in the Hours of the Virgin in the Prime section, which was used during the early morning, included devotion to Psalms 50, 62, and 89, as well as the Nativity scene. This essay discusses the symbolism included in this image in the context of the time of its publication.

11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke

Kerver Book of Hours: 2018 Senior Capstone

In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.

15, The Flight Into Egypt, Jereme Shaver

Kerver Book of Hours: 2018 Senior Capstone

The flight of Holy Family into Egypt and their eventual return was interpreted by the Gospel writer Matthew as the fulfillment the prophecy of Hosea. An image of this biblical event is located on sig. i8 of Thielman Kerver’s 1507 Book of Hours, in the Vespers section, which are the evening prayers at the end of the Hours of the Virgin. This essay discusses the rich symbolism included in this illustration.

14, Arma Christi, Bridget Eide

Kerver Book of Hours: 2018 Senior Capstone

As part of spiritual discipline, daily prayer was a routine practice and was believed to bring the reader closer to God. The Arma Christi and the Instruments of the Passion images found within a medieval book of hours were used for purposes of prayer and reflection. This essay examines the Arma Christi as it is pictured, and duplicated, in Thielman Kerver's 1507 printing.

08, Comparison Of Two Books Of Hours Printed By Thielman Kerver, Chase Shepard

Kerver Book of Hours: 2018 Senior Capstone

Portland State University Library Special Collections and the Mt. Angel Abbey Library both hold copies of books of hours printed by Thielman Kerver in Paris during the 1500s. This essay looks at some of the differences between the two books and the changes they demonstrate in the printer's work and audience.

07, Kerver's Colophon, Quinn Haslett

Kerver Book of Hours: 2018 Senior Capstone

First established at the “the sign of the Unicorn,” Thielman Kerver’s Parisian shop was surrounded by other members of the printing community. The shared use of engravers often led printers to duplicate or share the images they used. The particular marks they developed to distinguish their work took shape as early trademarks that separated one printer’s work from another. This essay examines the symbolism and visual elements incorporated into the unique colophon that identified Kerver's work.

10, Danse Macabre, Stefano Paparo

Kerver Book of Hours: 2018 Senior Capstone

The Danse Macabre (the Dance of Death) is a 15th-century conceit, both pictorial and textual, of the humbling power of death. In the years following the plagues of late 14th-century Europe, it seems almost inevitable that the Danse Macabre would become a popular theme in medieval art. The Danse Macabre in Thielman Kerver’s printed Book of Hours (1507) is depicted in a series of marginal illustrations in which Death, pictured as a decomposing corpse or transi, accompanies 66 “dancers” to the afterlife. Medieval artists and their patrons could subvert attitudes toward certain figures of power by including their images in …