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Database Of Marginal Notation In The Psu 1490 Codex: Objectives, Organization, And Continuation, Andi Johnson

Extra-Textual Elements

Portland State University Library's combined 1490 editions of the Fasciculus temporum and Malleus maleficarum contain over 150 individual marginal markings and notations. These marks have been made by numerous readers throughout the monograph's five-century lifespan.

This report accounts for efforts to construct a tool that would allow future students and scholars to visually compare and organize marks was needed before any in-depth analysis of readership could be made, describing the objectives, processes and applications that have defined its development. The tool that was needed was a visual database that enables the visual comparison of markings within the two texts. This …

Review, Introduction, And Preliminary Documentation Of Marginalia In Portland State University’S Fasciculus Temporum/Malleus Maleficarum Sammelband, Samuel Barnack

Extra-Textual Elements

This paper presents an overview of the contents of the new database of written marginal notations in Portland State University’s fifteenth-century printed codex, and some of the research threads that can be taken up from a study of those notations.

The motive for this project was an interest in readership usage of the codex and the two books contained within it. It begins by discussing terms that Andi Johnson and I elected to use to tag and name different categories of features, then I discuss some of the findings and possible future research avenues that can expand on them.

Finally, …

How Tales Of Blood Libel Travel: Depictions Of Jews In Fifteenth-Century European World Chronicles, Rachel Bard

Fasciculus Temporum

This paper considers the correlation between the popularity of Werner Rolevinck’s Fasciculus Temporum and other world chronicles, and the antisemitic tropes and blood libel accusations directed against Jewish communities in later medieval Europe.

The Fasciculus repeats many stock tales of Jewish ritual murder, including a relatively little-known story from Bern, Switzerland, that Rolevinck may have adapted from the Berner Chronik. This paper also considers the connection the first Spanish printing of the Fasciculus Temporum, in Seville in 1480, with the only known Jewish ritual murder accusation in Spain, which dates to 1490, and which in turn may have been …

Sammelbände: The Many Anthologies Of Early Print, Michael Adair

Provenance and Preservation

This paper explores the meaning and context of Sammelbände incunabula, covering their place alongside other novel forms of information organization in a world of changing readership patterns, as well as their role as a response to the needs and challenges faced in the expanding and changing book trade of the early print period during the second half of the fifteenth century. It includes several appendices detailing Sammelbände known to contain early editions of the Malleus Maleficarum and Fasciculus temporum of Werner Rolewinck, and other, related works.

Possible Methods For Incunabula Digitization For Preservation And Analysis, Steven Andrews

Provenance and Preservation

This paper explores different approaches that PSU’s Special Collections Department might take toward digitizing its 1490 incunable containing Werner Rolewinck’s Fasciculus temporum and second-edition Malleus Maleficarum. Digitization will reduce wear-and-tear of the volume and allow access to its contents by a wider range of users.

Watermarks Of Portland State University’S 1490 Codex, Duane Wiegardt

Extra-Textual Elements

This paper and its accompanying research endeavored to locate, catalog, and identify as fully as possible the watermarks observed throughout Portland State University’s (PSU) 1490 bound codex containing the Fasciculus temporum omnes antiquorum cronicas complectens (FT) and Malleus Maleficarum (MM).

Dozens of watermarks of several categories have been located and cataloged. A listing of the marks found on each leaf of the FT and MM has been constructed for continued use by future researchers. Study of the watermarks also sheds light on the codex’s binding.

Prominence Of Manicules Within Early Editions Of The Malleus Maleficarum, Matthew Jurkiewicz

Extra-Textual Elements

Marginal notation is extremely common in incunabula. The Portland State University Malleus Maleficarum (1490) is no exception to this trend, and contains various types of marginal notation throughout the text. Among them are three examples of manicules, a form of notation where readers draw a hand to note important sections of a text.

This paper examines the frequency of manicules in fifteen different early copies of the Malleus Maleficarum, along with the sections of the text in which the manicules are concentrated, in order to ascertain whether or not the usage of the PSU Malleus Maleficarum shares similarities with …

Studying The Binding Of Portland State’S Codex To Localize Production, Allison Kirkpatrick

Extra-Textual Elements

This paper examines Portland State’s 1490 codex as a material object by studying the stamp designs on its covers to determine where and when it may have been bound.

Four stamp designs are discernible, and these were compared to rubbings of stamp designs from fifteenth- and sixteenth-century incunable bindings in the Einbanddatenbank and Scott Husby Database. The findings from this study point to Erfurt, Germany, and more specifically the workshop of Nicolaus von Havelberg (active 1477–1506), as the probable binding site.

Vernacular Print, Johann Prüss, And The Fasciculus Temporum, Julia Hines

Fasciculus Temporum

This research discusses biographical information on Strasbourg printer Johann Prüss and his vernacular German work, and offers a statistical and categorical comparison to other contemporary Strasbourg printers and their vernacular German works.

Using the British Library's Incunabula Short Title Catalogue (ISTC) and other sources, I created a table in the appendix that lists all the known vernacular works of each printer and their date of publication. Lastly, this paper discusses the similarities and differences between the 1490 Latin edition of the Fasciculus Temporum and the following German edition printed by Prüss in 1492.

Robert Lenkiewicz: Witchcraft Collector, Ashley M. Hood

Provenance and Preservation

In 2018, Portland State University purchased a medieval codex containing a 1490 printing of Werner Rolewinck’s Fasciculus Temporum and a 1490 edition of the Malleus Maleficarum printed in Speier, Germany, by Peter Drach. Based on information from the bookseller in France, PSU has concluded that the codex most likely came from the collection of Robert Lenkiewicz (1941-2002), a twentieth-century English figurative painter who amassed a significant collection of rare books and incunables during his life.

Lenkiewicz’s artwork, interests, and book collection revolved around addiction and fanaticism, and one of the more noteworthy sections of his library focused on witchcraft and …

A Land Of Poets And Warriors: The Connection Between Warrior Culture And Bardic Culture In Medieval Wales C. 1066-1283, Sarah Lynn Alderson

Dissertations and Theses

Wales in the Middle Ages was a region both divided by war and united by culture. Frequent raids from the Hiberno-Irish, Scandinavians, and Flemish threatened Wales from the outside, while the kings within the borders of Wales fought for supremacy. During the late eleventh century, William the Conqueror made his way to the Welsh border in an attempt to secure his fledging kingdom. Under the premise of protecting his borders, William established the first March of Wales on the eastern border of Wales in 1087. This started the slow process of Anglo-Norman expansion and colonization into Wales.

The Welsh maintained …

Marginalia And Nota Bene In The Fasciculus Temporum: Frontispiece And Folios 4-23, Michael Jeremy Maly

Fasciculus Temporum

The goal of this project was the creation of a catalogue of all marginal notes and nota bene intended to draw attention to specific passages within the Fasciculus temporum.

This catalogue is meant to be used as a quick reference for readers to assist in finding specific marginalia and nota bene with greater ease. It covers folios 4-23. This compilation of notes written in the Fasciculus temporum could also be used as a research tool for further study of this edition (Prüss, Strassburg, c.1490) of the Fasciculus temporum.

This catalogue describes the notations by folio and location on the …

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Fasciculus Temporum: Extra-Textual Genealogy, Amanda Swinford

Extra-Textual Elements

Following the printed text of the Fasciculus temporum in PSU Library's codex is a concise, six-line, handwritten verse genealogy which lists the three husbands and three daughters, all named Mary, of St. Anne, the mother of Mary and maternal grandmother of Jesus.

The source of this addition is the Legenda aurea, a popular compilation of hagiographies, composed in Latin by Jacob Voragine (1230 - c.1298) in approximately 1270. This content was included by the publishers of certain other editions of the Fasciculus temporum, but is not included in the printed portion of the PSU edition.

Pope Innocent Viii (1484-1492) And The Summis Desiderantes Affectibus, Maral Deyrmenjian

Malleus Maleficarum

The papal bull (or decree) Summis desiderantes affectibus, issued in 1484 by Pope Innocent VIII (1484-1492), specifically addressed the malign presence of witches and witchcraft in the Holy Roman Empire and authorized a formal inquisition into their activities. It was one of several official condemnations of heretics and other enemies of Christendom, both groups and individuals, issued during Innocent VII’s reign.

Heinrich Kramer, the primary author of the Malleus maleficarum (1486/7) prefaced the second edition of his witch-hunting manual with the Summis desiderantes affectibus without explicit permission; scholars argue that he considered it likely to bolster the work’s authority …

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

The Carthusian Influence On Werner Rolewinck’S Approach To History, Nathaniel Harris

Fasciculus Temporum

The Carthusian Order was founded in 1084 by St. Bruno of Cologne and a small number of followers, all seeking greater solitude and a more austere, contemplative monasticism. Carthusian monks lived predominantly isolated lives, only coming together co-operatively for prescribed religious purposes.

The intellectual and separate life of a Carthusian monk appealed to Werner Rolewinck (1425-1502), the author/compiler of the Fasciculus temporum, one of the two texts (together with the Malleus maleficarum) included in Portland State University Library’s late fifteenth-century codex. With its structure modeled on early chronicles and biblical conventions, its inclusion of a variety of woodcut …

Woodcuts Of Human Oddities In The Fasciculus Temporum, Brady Brick

Fasciculus Temporum

This paper focuses on two woodcut images of human oddities in Portland State University’s edition of the Fasciculus temporum (Prüss, Strassburg, 1490).

One woodcut shows children with birth anomalies affecting their eyes, arms, and legs. The second is of a cynocephalus or dog-headed man. The history and context of these types of images and their significance within the text are both considered. This paper also examines possible medical explanations for the physical anomalies shown in the woodcut images.

Malleus Marginalia: What Can Be Learned From The Marginalia In Portland State University's Edition Of The Malleus Maleficarum, Sarah Alderson

Extra-Textual Elements

In 2018, Portland State University Library Special Collections acquired a second edition Malleus maleficarum, printed by Peter Drach of Speier in 1490, which is bound with a copy of Werner Rolewinck’s Fasciculus temporum (printed by Prüss, Strassbourg).

In this copy, three separate notetakers’ handwriting may be identified. We know this because there are three distinctive scripts present in the margins of the texts, on the title page of the Fasciculus, and on blank folios between the two texts. This paper explains the relevance of the handwriting and the research behind the identification of the scripts.

Watermarks In The Psu Codex Fasciculus Temporum And The Paper Trade, Christian Graham

Extra-Textual Elements

Medieval watermarks were introduced into early printed works during the production process of the paper. It is not known exactly when or why they came into common use, but they did come to identify specific paper suppliers.

As the number of paper suppliers grew enormously in concert with the growth of popularity of printed books, identifying the watermarks of specific producers can provide the modern scholar with valuable information about an early printed work, including dating editions and providing insight into trading relationships and connections between paper-makers and printers.

This paper examines some of the watermarks present in the PSU’s …

Watermarks In The Psu Malleus Maleficarum, Laura Lindenthal

Extra-Textual Elements

This paper seeks to connect the watermarks found in PSU’s codex to the printer (or printers) of the included texts, the Malleus maleficarum and the Fasciculus temporum. Specifically, this essay considers three watermarks found on the paper of the Malleus maleficarum, one of which, an ox-head with staff, occurs on a blank page between the Malleus and the Fasciculus temporum, which precedes it in the codex. These watermarks and their common variations are described and their inclusion in several watermark databases is discussed. The three marks found in the Malleus maleficarum may be directly connected to the printer, …

09, Typological Images And Thought, Courtney Rhoades

Kerver Book of Hours: 2018 Senior Capstone

Portland State University’s Kerver Book of Hours contains typological images in sets of three. Typological images are more commonly displayed in sets of two consisting of a type and an antitype. Typological thought uses images from the Hebrew Bible placed alongside the images of the New Testament in order to act as a prophecy.By viewing the Hebrew Bible as a prophecy for the New Testament, the church is able to justify the existence of the Hebrew Bible. The Hebrew Bible must be preserved in order for it to be interpreted, and the Book of Hours was used as a tool …

10, Danse Macabre, Stefano Paparo

Kerver Book of Hours: 2018 Senior Capstone

The Danse Macabre (the Dance of Death) is a 15th-century conceit, both pictorial and textual, of the humbling power of death. In the years following the plagues of late 14th-century Europe, it seems almost inevitable that the Danse Macabre would become a popular theme in medieval art. The Danse Macabre in Thielman Kerver’s printed Book of Hours (1507) is depicted in a series of marginal illustrations in which Death, pictured as a decomposing corpse or transi, accompanies 66 “dancers” to the afterlife. Medieval artists and their patrons could subvert attitudes toward certain figures of power by including their images in …

05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp

Kerver Book of Hours: 2018 Senior Capstone

After the Parisian printer Thielman Kerver died in 1522, his widow Iolande Bonhomme took over his shop at the "Sign of the Unicorn" in the Rue St. Jacques, and in 1526 she produced the first Bible printed by a woman. This essay discusses Bonhomme's assumption of the business and the roles and skills open to the widows of certain tradesmen in medieval France.

Baldwin I Of Jerusalem: Defender Of The Latin Kingdom Of Jerusalem, John Francis Lowe

Dissertations and Theses

The reign of King Baldwin I (1100-1118) has thus far received little noteworthy attention by historians as the important pivotal period following the First Crusade conquest of Jerusalem in 1099. The two decades of his rule marked the extension of Latin conquests in the east, most notably by the conquest of the important coastal cities of Arsulf, Acre, Caesarea, Beirut and Sidon. These vital ports for the early Latin Kingdom of Jerusalem provided outlets to the sea for commerce, as well as safe harbors for incoming assistance from the west. Further, Baldwin led in the establishment of strong secular control …

"The Longest Walk In The Universe", John Ciardi

Special Collections: Oregon Public Speakers

No abstract provided.