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Full-Text Articles in History
Ms-287: Whitney Family Civil War Letters, Danielle S. Russell
Ms-287: Whitney Family Civil War Letters, Danielle S. Russell
All Finding Aids
The Whitney Family Civil War Letters collection contains 46 letters from the Civil War Era, 2 Freemason dues notices for Mariner T. Whitney, and four empty letter covers. 37 of the letters, written by Hiram R. Whitney, pertain to his military service and daily life with the 132nd New York Infantry Regiment. Two other letters, written by Henry J. Manning and John Marsh Young relate to their military service with the 11th New York Volunteer Cavalry and the 124th New York Infantry, respectively. John Marsh Young was the nephew of Ruhamah Irwin Whitney, the wife of Mariner T. Whitney. The …
This Month In Civil War History: April 2016, Jeffrey L. Lauck
This Month In Civil War History: April 2016, Jeffrey L. Lauck
The Gettysburg Compiler: On the Front Lines of History
Click the play button below in order to listen to “This Month in Civil War History.” You can also scroll down to read through the transcript if you would prefer to read it. This report is also airing on WZBT 91.1 FM throughout this month. Thanks to WZBT for their help in producing this piece. [excerpt]
The Literal Reconstruction Of Vmi: Resolved To Be, Kaylyn L. Sawyer
The Literal Reconstruction Of Vmi: Resolved To Be, Kaylyn L. Sawyer
The Gettysburg Compiler: On the Front Lines of History
This is the last in a three-part series on the legacy of the Civil War at the Virginia Military Institute. You can also check out part one to read about VMI’s struggle for survival in the years immediately after the war and part two for information about the Institute in Civil War memory. [excerpt]
The Literal Reconstruction Of Vmi: Reunion, Restitution, Remembrance, Kaylyn L. Sawyer
The Literal Reconstruction Of Vmi: Reunion, Restitution, Remembrance, Kaylyn L. Sawyer
The Gettysburg Compiler: On the Front Lines of History
This is the second in a three-part series on the legacy of the Civil War at the Virginia Military Institute. You can also check out part one to read about VMI’s struggle for survival in the years immediately after the war. Stay tuned for the conclusion of the series. [excerpt]
The Literal Reconstruction Of Vmi: To Obliterate Or Not To Obliterate?, Kaylyn L. Sawyer
The Literal Reconstruction Of Vmi: To Obliterate Or Not To Obliterate?, Kaylyn L. Sawyer
The Gettysburg Compiler: On the Front Lines of History
My family-driven fondness for the Virginia Military Institute is not a secret. I actually have a vintage gridiron-inspired VMI bobble head doll, an inheritance from my great grandmother who was proud to see both her sons graduate from the Institute. While thinking about the Civil War history of VMI for an academic course, I was struck by a most obvious question: Why was Virginia allowed to rebuild the Institute, described by some as a factory for the mass production of Confederates, after its destruction in 1864? I considered the challenge an opportunity for engaging research, and I offer this as …
Slavery And The Civil War: The Reflections Of A Yankee Intern In Appomattox, Jonathan G. Danchik
Slavery And The Civil War: The Reflections Of A Yankee Intern In Appomattox, Jonathan G. Danchik
Student Publications
An overview of the "Lost Cause" and the resultant challenges faced by interpreters in Civil War parks.
The "Unfinished Work:" The Civil War Centennial And The Civil Rights Movement, Megan A. Sutter
The "Unfinished Work:" The Civil War Centennial And The Civil Rights Movement, Megan A. Sutter
Student Publications
The Civil War Centennial celebrations fell short of a great opportunity in which Americans could reflect on the legacy of the Civil War through the racial crisis erupting in their nation. Different groups exploited the Centennial for their own purposes, but only the African Americans and civil rights activists tried to emphasize the importance of emancipation and slavery to the memory of the war. Southerners asserted states’ rights in resistance to what they saw as a black rebellion in their area. Northerners reflected back on the theme of reconciliation, prevalent in the seventy-fifth anniversary of the war. Unfortunately, those who …
Say “Neigh” To Abuse: On The Treatment Of Horses And Mules In The Civil War, Anika N. Jensen
Say “Neigh” To Abuse: On The Treatment Of Horses And Mules In The Civil War, Anika N. Jensen
The Gettysburg Compiler: On the Front Lines of History
The stuffed head of Old Baldy, General George Meade’s favorite horse, can be found mounted on the wall of the Grand Army of the Republic Museum in Philadelphia. General Robert E. Lee’s horse, Traveler, received gifts and international adoration even after the war’s end, and General Ulysses S. Grant’s three war mounts, including one pony stolen from a plantation belonging to Jeff Davis’ brother, rested comfortably in fame and verdant pastures until the ends of their lives [excerpt].
The Unfinished Work: Slavery Today, Kevin P. Lavery
The Unfinished Work: Slavery Today, Kevin P. Lavery
The Gettysburg Compiler: On the Front Lines of History
2.7 million. That’s an estimate for the number of slaves in the world today. The true number is probably higher, even though the United States abolished slavery 150 years ago. Most of today’s slaves go unseen and unaided, victims of an opaque system of exploitation that conspires to keep them oppressed. [excerpt]
"The Southern Heart Still Throbs": Caroline E. Janney And Partisan Memory‘S Grip On The Post-Civil War Nation, Heather L. Clancy '15
"The Southern Heart Still Throbs": Caroline E. Janney And Partisan Memory‘S Grip On The Post-Civil War Nation, Heather L. Clancy '15
The Gettysburg College Journal of the Civil War Era
"Memory is not a passive act," writes Caroline E. Janney in the prologue of her 2013 book Remembering the Civil War: Reunion and the Limits of Reconciliation. Rather, it is a deliberate process. Our nation‘s history has been shaped by countless hands in innumerable ways, and the story of our civil war is no exception. In Remembering the Civil War, Janney seeks to turn our eyes once again onto the players, large and small, who shaped what came to be the accepted narrative of the conflict, from its inception through the 1930s and even bleeding through the Civil …
Art+Politics, Shannon Egan, Jenna L. Birkenshock, Hillary B. Goodall, Tessa M. Sheridan, Josiah B. Adlon, Megan E. Hilands, Emily A. Francisco, Molly E. Reynolds, Shelby P. Glass, Colleen L. Parrish, Francesca S. Debiaso
Art+Politics, Shannon Egan, Jenna L. Birkenshock, Hillary B. Goodall, Tessa M. Sheridan, Josiah B. Adlon, Megan E. Hilands, Emily A. Francisco, Molly E. Reynolds, Shelby P. Glass, Colleen L. Parrish, Francesca S. Debiaso
Schmucker Art Catalogs
For the exhibition Art + Politics, students worked closely with the holdings of Gettysburg College's Special Collections and College Archives to curate an exhibition in Schmucker Art Gallery that engages with issues of public policy, activism, war, propaganda, and other critical socio-political themes. Each of the students worked diligently to contextualize the objects historically, politically, and art-historically. The art and artifacts presented in this exhibition reveal how various political events and social issues have been interpreted through various visual and printed materials, including posters, pins, illustrations, song sheets, as well as a Chinese shoe for bound feet. The students' …