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Full-Text Articles in History

Rhapsody In Red, White And Blue: The Co-Evolution Of Popular And Art Music In The United States During World War Ii, Douglas A. Kowalewski Oct 2017

Rhapsody In Red, White And Blue: The Co-Evolution Of Popular And Art Music In The United States During World War Ii, Douglas A. Kowalewski

Student Publications

World War II was a watershed event in twentieth century American history. All aspects of life, including music, both found roles to play in the war effort and were forever altered by the conflict. Past work on the subject of American music in World War II tends to focus heavily on the nature and impact of popular music during this time period. While this paper will review and build upon this scholarship, art music during the war will also be considered. Using two distinctly different, yet complementary, autobiographies – those of army band musician Frank Mathias and composer Gunther Schuller …


Ms – 208: The Jim Henderson Papers, Class Of 1971, Devin Mckinney Mar 2017

Ms – 208: The Jim Henderson Papers, Class Of 1971, Devin Mckinney

All Finding Aids

This collection contains documents, photographs, and other material, mostly relating to Jim Henderson’s career at Gettysburg College. There are various writings, and a scrapbook with images covering Henderson’s life from just before to just after his time in Gettysburg. A significant subset of material concerns Henderson’s commencement address, and the subsequent controversy. The bulk of the material is in the form of handwritten scores and program notes created for various musical performances between 1966 and 1973. Most of these are rock or jazz arrangements of religious themes, and most premiered at Gettysburg College.

Special Collections and College Archives Finding Aids …


Play American, Allen C. Guelzo Jan 2017

Play American, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Just seventy years ago, a Fortune poll reported that 62 percent of Americans listened to classical music, 40 percent could identify Arturo Toscanini as an orchestral conductor, and nine million listeners (11 percent of American households) tuned in to weekly Metropolitan Opera broadcasts from New York City. Astonishing. The “grand orchestra,” wrote Charles Edward Russell in 1927, “has become our sign of honor among the nations.” (excerpt)