History Commons^™

Ms-131: Bair-Kohler-Berger Family At 339 Carlisle Street Collection, Karen Dupell Drickamer

All Finding Aids

The collection contains documents, correspondence, photographs, newspapers, artifacts, and ephemera, documenting the lives of the Bair, Kohler, and Berger families who lived at 339 Carlisle Street, as well as information about Judge David Wills’ family (business partners and friends of the Bair/Kohlers) as well as materials on Katalysine Springs and the Springs Hotel of Gettysburg.

Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on …

Captive Body, Free Mind: Euphrosinia Kersnovskaia, The Gulag, And Art Under Oppression, Laura G. Waters

Student Publications

This paper examines the art of Euphrosinia Kersnovskaia (1907-1994) as it relates to both the larger experience and narrative of the Soviet Gulag and to the survival of the artist. Larger trends of art made under oppression are used to find reason for such seemingly insignificant acts, and art therapy frameworks provide analytical bases for approach. By looking at such deeply subjective forms of memory and its transcription, individuality and humanity is returned to an inhuman penal system.

Rhapsody In Red, White And Blue: The Co-Evolution Of Popular And Art Music In The United States During World War Ii, Douglas A. Kowalewski

Student Publications

World War II was a watershed event in twentieth century American history. All aspects of life, including music, both found roles to play in the war effort and were forever altered by the conflict. Past work on the subject of American music in World War II tends to focus heavily on the nature and impact of popular music during this time period. While this paper will review and build upon this scholarship, art music during the war will also be considered. Using two distinctly different, yet complementary, autobiographies – those of army band musician Frank Mathias and composer Gunther Schuller …

Neurasthenia, Robert Graves, And Poetic Therapy In The Great War, Juliette E. Sebock

Student Publications

Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves' war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents.

An Artist As Soldier: Seeking Refuge In Love And Art, Barbara S. Heisler

Gettysburg College Faculty Books

At the center of this book are the World War II letters (Feldpostbriefe) of a German artist and art teacher to his wife. While Bernhard Epple’s letters to his wife, Gudrun, address many of the topics usually found in war letters (food, lodging conditions, the weather, problems with the mail service, requests for favors from home), they are unusual in two respects. Each letter is lovingly decorated with a drawing and the letters make few references to the war itself. In addition to many personal communications and expressions of love for his wife and children, Epple writes about …

Paintings Of War, Museums Of Memory, Laura G. Waters

Student Publications

This paper examines the artists sent to the Western Front under Britain’s official war artists initiative. The government sought to utilize artwork for propagandistic purposes, and to foster emotional connection between civilian and soldier. However, the growth of the initiative to include some ninety artists complicated this. The experiences of the artists and the truths revealed to them by the conflict were vastly different, and examination of them as a whole does little to elucidate the character of the war itself. What this paper seeks to do, therefore, is examine three artists - Sir William Orpen, Lieutenant Paul Nash, and …

Ms-203: Louis A. Parsons Papers (1895-1957), Karen Dupell Drickamer

All Finding Aids

As the collection was created from five different accessions and four donors, over a period of four years and each accession was totally random and jumbled, the processor chose chronological order except when a complete subject file was identified. Parsons made carbon copies of most of his correspondence and wrote often to family, friends, and colleagues about both his personal and his professional life. His letters are filled with personal information, descriptions of life at the College and in the Community, as well as his issues with the administration, making it difficult to separate personal and professional correspondence. Anyone researching …

Ms-200: The Gettysburg Superstar Collection, Devin Mckinney

All Finding Aids

The collection is arranged into three series: I. The Production (materials growing from the 1971 performances); II. The Reunion (materials relating to the Reunion Weekend event); and III. The Book (materials gathered during McKinney’s research and writing). Within these are subseries focusing on such items as research materials and notes; photographs and recordings; interview transcripts; and miscellany.

Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be …

Gettysburg College Journal Of The Civil War Era 2017

The Gettysburg College Journal of the Civil War Era

No abstract provided.

Play American, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Just seventy years ago, a Fortune poll reported that 62 percent of Americans listened to classical music, 40 percent could identify Arturo Toscanini as an orchestral conductor, and nine million listeners (11 percent of American households) tuned in to weekly Metropolitan Opera broadcasts from New York City. Astonishing. The “grand orchestra,” wrote Charles Edward Russell in 1927, “has become our sign of honor among the nations.” (excerpt)

From Crusaders To Flunkies: American Newspaper Coverage Of Black First World War Soldiers From 1915 And 1930., Matthew D. Laroche

The Gettysburg Historical Journal

This article concerns itself with the U.S. newspaper coverage given to black soldiers (primarily African-American) in the lead up to the U.S. entry into the First World War, through the war, and into the 1930's. In so doing, it chronicles the divisions that appeared within the black community in America as black Americans debated whether or not to serve a country that did not respect their liberties at home, the portrayal of black soldiers in U.S. newspapers, and the post-war betrayal that saw the rise of a popular silence on the rights of black veterans, and a forced return to …

Helpers In A "Heathen" Land?: An Examination Of Missionary Perceptions Of The Cherokees, Andrew C. Nosti

The Gettysburg Historical Journal

This analysis examines writings left behind by missionaries living among the Cherokees in the early nineteenth century to tease out the missionary perceptions of their Indigenous neighbors. This approach includes a heavy emphasis on decoding the white lexicon employed to discuss Native Americans to elucidate the broader cultural/racial intellectualism of the time. The utilization of this approach deconstructs a conventional “friend or foe” binary viewpoint of the missionaries, conversely constructing a greater complexity within the interracial and intercultural dynamics of the Early Republic, thereby providing a more layered and broader understanding of early America and, by extension, America overall.