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Full-Text Articles in History
From Crusaders To Flunkies: American Newspaper Coverage Of Black First World War Soldiers From 1915 And 1930., Matthew D. Laroche
From Crusaders To Flunkies: American Newspaper Coverage Of Black First World War Soldiers From 1915 And 1930., Matthew D. Laroche
The Gettysburg Historical Journal
This article concerns itself with the U.S. newspaper coverage given to black soldiers (primarily African-American) in the lead up to the U.S. entry into the First World War, through the war, and into the 1930's. In so doing, it chronicles the divisions that appeared within the black community in America as black Americans debated whether or not to serve a country that did not respect their liberties at home, the portrayal of black soldiers in U.S. newspapers, and the post-war betrayal that saw the rise of a popular silence on the rights of black veterans, and a forced return to …
Causing Conversation: Civil War Memory In Beyoncé’S “Formation”, Anika N. Jensen
Causing Conversation: Civil War Memory In Beyoncé’S “Formation”, Anika N. Jensen
The Gettysburg Compiler: On the Front Lines of History
Not only did Beyoncé slay in her latest music video, but she got historical. Her single "Formation" touches on feminism, oppression, sexuality, and police brutality, and her video offers a visual representation for the overall theme of African American cultural ownership. It is, of course, an essential message for contemporary discussion, and the formerly-silenced subject is beginning to achieve prevalence in the music industry, but there is something special and bold about Beyoncé’s take on race: by appealing to Civil War memory and forcing viewers to accept the African American struggle for life, freedom, and success, she is shattering perceptions …
Challenging Lincoln: How Gettysburg’S Lincoln-Centric Emancipation Narrative Has Overshadowed Local Black History, Jeffrey L. Lauck
Challenging Lincoln: How Gettysburg’S Lincoln-Centric Emancipation Narrative Has Overshadowed Local Black History, Jeffrey L. Lauck
The Gettysburg Compiler: On the Front Lines of History
When it comes to symbols of emancipation, President Abraham Lincoln is king. No other person is more associated with the abolition of slavery than "The Great Emancipator" himself. This holds true in Gettysburg just as much as it does throughout the country. Only last September, Gettysburg College erected a statue of Abraham Lincoln signing the Emancipation Proclamation in the hope that it would "promote the discussion of race relations in America today." Yet when it comes to commemorating and remembering the struggle for emancipation, Lincoln is far from the only face that we should look to in our historic town. …
Learning The Fighting Game: Black Americans And The First World War, S. Marianne Johnson
Learning The Fighting Game: Black Americans And The First World War, S. Marianne Johnson
The Gettysburg Historical Journal
The experience of African American veterans of the First World War is most often cast through the bloody lens of the Red Summer of 1919, when racial violence and lynchings reached record highs across the nation as black veterans returned from the global conflict to find Jim Crow justice firmly entrenched in a white supremacist nation. This narrative casts black veterans in a deeply ironic light, a lost generation even more cruelly mistreated than the larger mythological Lost Generation of the Great War. This narrative, however, badly abuses hindsight and clouds larger issues of black activism and organization during and …
Locks And Cash: Whose Black History? (Part 2), John M. Rudy
Locks And Cash: Whose Black History? (Part 2), John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
A few weeks ago, the Hanover Evening Sun ran an article on the Lincoln Cemetery in Gettysburg and the locks which hang on its gates. This is by no means a new item of interest. The locks have girded the gates of the cemetery for three years. Still, the article (no longer on the Evening Sun's website but archived here in a PDF) raises a few interesting questions about the delicate balance between preservation and interpretation. [excerpt]
Locks And Cash: Whose Black History? (Part 1), John M. Rudy
Locks And Cash: Whose Black History? (Part 1), John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
The African-American Civil War Memorial has been a favorite site of mine in DC (and not simply because it's just down the block from the District's best restaurant, Ben's Chili Bowl). It is a monument in the right setting. Instead of being on the mall with the rest of the other monuments, to be easily overlooked like the DC World War I memorial or similar sidelights to the big three of Lincoln, Washington and Vietnam, the African American Civil War Memorial is in a community that can be moved by it. [excerpt]