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Full-Text Articles in History
« Les Celles Qui Sont Pas Contentes » : Françoise Durocher, Waitress D’André Brassard Et De Michel Tremblay (1972), Maxime Blanchard
« Les Celles Qui Sont Pas Contentes » : Françoise Durocher, Waitress D’André Brassard Et De Michel Tremblay (1972), Maxime Blanchard
Présence Francophone: Revue internationale de langue et de littérature
More relevant than ever, Françoise Durocher, waitress, a 1972 short film directed by André Brassard (based on a screenplay by Michel Tremblay), keeps highlighting the current political alienation of the Québécois people within Canada. By analyzing the main character, Françoise Durocher, this article reveals the contradictions of a cultural, social, and feminist struggle against imperialism and domination.
Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?, Carla Calargé, Alexandra Gueydan-Turek
Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?, Carla Calargé, Alexandra Gueydan-Turek
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes two erotic works : L’amande and La traversée des sens. It aims to look at whether the sexual liberation of the female protagonists succeeds in defining a subversive discourse which allows Arab women to escape binary representations made of them or whether, on the contrary the author reproduces such representations. After a quick overview of the difficult situation in which Arab feminists often find themselves both the East and the West, this study examines if Nedjma’s two novels adopt a feminist posture or if they fail to reach the objectives that critics have attributed to them.
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
Présence Francophone: Revue internationale de langue et de littérature
In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.