History Commons^™

Okolie Animba, Ed. Glimpses Of Igbo Culture And Civilization, Michael Andregg

Comparative Civilizations Review

No abstract provided.

Lee Harris, Civlizations And Its Enemies: The Next Stage Of History, Laina Farhat-Holzman

Comparative Civilizations Review

No abstract provided.

Front Matter

Quidditas

No abstract provided.

Allen D. Breck Award Winner (2004)

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Jennifer McNabb

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Allen D. Breck Award Winner (2005)

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Bradley Greenburg

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Delno C. West Award Winner (2004)

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James H. Forse

The Delno C. West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Delno C. West Award Winner (2005)

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Susan Stakel

The Delno C. West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Fame And The Making Of Marriage In Northwest England, 1560-1640, Jennifer Mcnabb

Quidditas

Because England did not enact a comprehensive reform of its medieval marital law until Lord Hardwicke’s Act in 1753, it was possible to construct a binding marriage outside the authority of the Church of England during the Tudor and Stuart periods. Marriages created by the exchange of present-tense consent, even if they failed to follow the church’s suggested rules concerning time and place, its emphasis on clerical presence, and its stress on publicity (through three readings of the banns or the procurement of a marriage license), were considered spiritually legitimate throughout the eight decades prior to the civil wars. An …

Romancing The Chronicles: 1 Henry Iv And The Rewriting Of Medieval History, Bradley Greenburg

Quidditas

This essay explores the ways Shakespeare’s 1 Henry IV deploys Welshness as a counterforce to English national stability. I argue that the critical habit of equating the genre of romance with untruthfulness or silliness does not pay close enough attention to what Shakespeare does in his history plays. The Hal he gives us, whose youth and military training in Wales he suppresses, is, generically, a romance character. But, instead of a knight in his father’s service (where his adventures would be securely in the service of the realm), or knight errant, he is an errant haunter of bad company, an …

Monasteries As Financial Patrons And Promoters Of Local Performance In Late Medieval And Early Tudor England, Christine Sustek Williams

Quidditas

The elaborate cycle plays produced in the larger, wealthy municipalities of York, Chester, Wakefield and Coventry receive the lion’s share of attention among scholars of medieval theatre. Until recently, performance activities in smaller communities have received little or no attention, except perhaps as something of antiquarian interest. And one area of theatre history that has been largely overlooked is the involvement of monasteries in local performance activities. Yet the precious few, fragmentary, monastic records that survived the dissolutions of the monasteries under Henry VIII and Edward VI, suggest that several monasteries gave active financial support to local theatre in England …

Enchanted Islands Floating On The Foam Of Perilous Seas, Jean Macintyre

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In localizing The Tempest on “an uninhabited island,” the 1623 Shakespeare Folio associates the setting with the floating island that some masque machines represented. Such machines acted as movable stages to transport masquers from within the set to the spot from which their dances would begin; other masques allege that their immobile sets were also floating islands. Though the stages, permanent or temporary, on which The Tempest was performed were not mobile, they nonetheless were a kind of island surrounded by spectators, on which the magician Prospero, aided by Ariel, writes, casts, and directs a play whose roles are unwittingly …

Getting Your Name Out There: Traveling Acting Companies And Royal And Aristocratic Prestige In Tudor England, James H. Forse

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Records published to date concerning early English drama suggest that in the first third of the sixteenth century touring activity by municipal, amateur acting companies exceeded that of royal and aristocratic troupes. But after about 1535, the religious, social, and economic policies of Henry VIII, and Edward VI, severely limited locally based performances. At the same time tours by royal acting troupes substantially increased. Yet of all the Tudors, it was Elizabeth who seems to have realized the potential of her acting troupe representing the monarch's presence throughout the kingdom. From the beginning of her reign the Queen’s Men appeared …

Tenth-Century Drama In The Twenty-First Century A Staging Of Three Plays By Hrotsvit Of Gandersheim At Stetson University (2005), Julia Schmitt

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During the fall semester of 2005, the Department of Communication Studies and Theatre Arts at Stetson University undertook a unique, but highly rewarding production challenge. Professor Ken McCoy and I were asked by The English Department of Stetson University to stage a medieval play in conjunction with the Southeast Medieval Association Conference to be held at Stetson during the month of September. The English Department was eager to offer conference attendees an opportunity to experience a live production of a medieval play.

Entertaining Yet Erudite Social History, Ginger L. Guardiola

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Barbara A. Hanawalt. Growing Up in Medieval London: The Experience of Childhood in History. New York and Oxford: Oxford UP, 1993. 300 pages. $18.95.

Representing A Bigger Middle Ages, Carol Neel

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Barbara H. Rosenwein. A Short History of the Middle Ages. Orchard Park, NY: Broadview Press, 2002. 362 pages. $42.95.

Colin McEvedy. The New Penguin Atlas of Medieval History. London: Penguin Books, 1992. 112 pages. $13.95.

Patrick J. Geary. The Myth of Nations: The Medieval Origins of Europe. Princeton: Princeton UP, 2002. 261 pages. $19.95.

Everyman In Production: A Dance Of Death A Staging At California State University, Chico (2004), Jan Hawkley

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Medieval dramatic works, while historically significant and intellectually interesting, may seem irrelevant and even incomprehensible in our day. The language is problematic in pronunciation, phrasing and word meaning. Allegory today often is considered didactic and overly simplistic, yielding only one- dimensional characters. Medieval society appears obtuse to modern students, functioning with a totally different worldview and social hierarchy; medieval concepts of comedy and religion are difficult for us to grasp today. Additionally, we obviously have no recordings of actual performances, so we do not know how a given play was staged; we must surmise medieval staging from descriptions of performances …

Full Issue

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No abstract provided.

Review Essay: Rodney Stark’S Vision Of Medieval Christianity, Elspeth Whitney

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Rodney Stark. For the Glory of God: How Monotheism Led to Reformations, Science, Witch-Hunts, and the End of Slavery. Princeton and Oxford: Princeton University Press, 2003, 504 pages, and The Victory of Reason: How Christianity Led to Freedom, Capitalism, and Western Success. New York: Random House, 2005, 304 pages.