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Articles 1 - 5 of 5
Full-Text Articles in History
The Lost And Forgotten Plants: French Botanical Networks In Provincial And Colonial France (1760–1825), Sophie R. Tunney
The Lost And Forgotten Plants: French Botanical Networks In Provincial And Colonial France (1760–1825), Sophie R. Tunney
Dissertations, Theses, and Capstone Projects
During the eighteenth century, the Jardin du Roi in Paris was the leading monarchical institution for the collection and categorization of plants. A global network emerged that circulated thousands of plants and seeds. Historians of botany have focused on the Jardin du Roi in Paris and the centralization of the network in the hands of different actors, including André Thouin. The dissertation shifts away from a Paris-centered model to one that includes gardens across the metropole and the colonial world. It focuses on the histories of the botanical gardens in l’Ile de France (Mauritius), Cayenne (French Guiana), Brest, Bordeaux, Paris, …
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Theses and Dissertations
This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …
The Bittersweet Tooth: Understanding French Identity Through The Colonial Empire, Commodity Fetishism, And Pâtisserie, Clarisse D. Allehaut
The Bittersweet Tooth: Understanding French Identity Through The Colonial Empire, Commodity Fetishism, And Pâtisserie, Clarisse D. Allehaut
Honors Theses
This thesis argues that patisserie and the French relationship with dessert are a part of national identity. The historical context of patisserie runs parallel to the growth and power of the French colonial empire. Patisserie feels removed from the empire, and yet the two show how gastronomy, luxury, and exploitative power in the form of empire are components of French history and identity. Marx’s theory on commodity fetishism serves as the backbone for this argument. This theoretical idea supposes that value is an objective concept and society attributes importance and perceived meaning. Patisserie exemplifies commodity fetishism as a good with …
Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin
Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin
Senior Projects Spring 2022
Les six continents series stands as remnants of the 1878 Exposition Universelle and as a visual marker of the cultural, social, and economic culture of the time period. The series, serving as public art, continues to inform and participate in its environment and space, as it is on display by the entrance of the Musée d’Orsay today. Personified representations of Europe, Asia, Africa, North America, South America, and Oceania as allegorical female figures, the series offers insight into the colonial world where it emerged, and how its impact has visually been ingrained in contemporary society. By using these six statues …
The French Conundrum: The Unsettled Relationship Between The Colonial Past, Identity Construction, And Immigration In The Musée National De L’Histoire De L’Immigration, Sierra Ruby Newby-Smith
The French Conundrum: The Unsettled Relationship Between The Colonial Past, Identity Construction, And Immigration In The Musée National De L’Histoire De L’Immigration, Sierra Ruby Newby-Smith
CGU Theses & Dissertations
This paper focuses on the intersection of identity, the colonial past, and immigration in France through the lens of the Musée National de l’Histoire de l’Immigration. The museum, which opened in 2007 and is currently redesigning its permanent exhibition, has struggled to come to terms with France’s colonial past, a defining aspect of the museum as a result of its location and theme. This paper argues that the museum functions as a microcosm of France’s difficulty to address its colonial past while still maintaining its current national identity construction. Thus, this paper explores how the Immigration Museum is and has …