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Les Femmes Algériennes, Le Patriarcat Et Les Féministes Blanches Dans Inch’Allah Dimanche Et Viva Laldjérie, Bailey Cook
Les Femmes Algériennes, Le Patriarcat Et Les Féministes Blanches Dans Inch’Allah Dimanche Et Viva Laldjérie, Bailey Cook
Senior Theses and Projects
This thesis explores the politically charged topic of the representations of Algerian women in contemporary Franco-Algerian cinema. Yamina Benguigui’s Inch’allah Dimanche and Nadir Moknèche’s Viva Laldjérie were both released in the early 2000s, in the midst of debates around feminism, secularism (or laïcité) and the so-called Islamic “veil.” At a time when some white French feminists were speaking on behalf of Algerian women, claiming they were “oppressed” while glorifying French culture, these films highlight a plurality of Algerian women’s experiences in a postcolonial context. Inch’allah Dimanche depicts women’s immigration during France’s policy of regroupement familial in the early 1970s, …
The Twentieth Century Downfall Of Professional Midwifery In Britain And Its Gendered Connotation, Katherine Epstein
The Twentieth Century Downfall Of Professional Midwifery In Britain And Its Gendered Connotation, Katherine Epstein
Senior Theses and Projects
No abstract provided.