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New Orleans Unveiled: Fanon And A Reconceptualization Of The Performative, Lynnell Thomas
New Orleans Unveiled: Fanon And A Reconceptualization Of The Performative, Lynnell Thomas
Lynnell Thomas
This article examines Frantz Fanon's "Algeria Unveiled" as a reconceptualization of J. L. Austin's theory of the performative. Austin, whose examples of the performative all assume an equal, if not harmonious, relationship, overlooks instances of incompatibility and inequality. Fanon's post-colonial framework, in contrast, illustrates the markedly different types of intentions, uptake, and conventions which inform the speech act in cases of extreme inequality. In these cases, the powerless and seemingly voiceless use tacitly agreed upon conventions inappropriately to attain what they would not be able to have otherwise. Fanon's notion of the performative is used to explore the performative resistance …
“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas
“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas
Lynnell Thomas
This article explores the connections between New Orleans’s late 20th-century tourism representations and the mainstream media coverage and national images of the city immediately following Hurricane Katrina. It pays particular attention to the ways that race and class are employed in both instances to create and perpetuate a distorted sense of place that ignore the historical and contemporary realities of the city’s African American population.