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Gettysburg College Journal Of The Civil War Era 2016

The Gettysburg College Journal of the Civil War Era

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"For Safety And For Liberty," The Devan Family Of Gettysburg, Andrew I. Dalton

The Gettysburg College Journal of the Civil War Era

This article explores Gettysburg’s 19^th century black history through the exciting experiences of the Devan family. Originally from Frederick County, Maryland, they came to Gettysburg as free people of color. In town, one member of the family was suspected of assisting slave catchers by handing over escaped slaves for a profit. Four members of the family served during the Civil War in the United States Colored Troops, three of whom died in the service. This complex story proves the fact that black history is extremely complex and should not be painted by historians with a single brush stroke.

“The Colored Soldiers”—The Poem You Never Knew Existed, Matthew D. Laroche

The Gettysburg Compiler: On the Front Lines of History

I’m a poetry guy. When I expect to have some free time, I tend to carry a small book of poems somewhere on my person. I also have eclectic tastes, so the subject and the substance of my little pocket anthologies changes. This summer, while at home from Gettysburg National Military Park, I pulled a book off the shelf—War Poems, from the Everyman’s Library Pocket Poets series. I found plenty of what you might expect to find in such a book—Lord Tennyson, Wilfred Owen, Randall Jarrell. The subjects were classic—the “wild charge” of the Light Brigade, the “froth-corrupted …

Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh

Schmucker Art Catalogs

Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.

This fall, students in my course at Gettysburg College “Art and Public …

Slaves, Soldiers, Citizens: African American Artifacts Of The Civil War Era, Lauren H. Roedner, Angelo Scarlato, Scott Hancock, Jordan G. Cinderich, Tricia M. Runzel, Avery C. Lentz, Brian D. Johnson, Lincoln M. Fitch, Michele B. Seabrook

Other Exhibits & Events

Based on the exhibit Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era, this book provides the full experience of the exhibit, which was on display in Special Collections at Musselman Library November 2012- December 2013. It also includes several student essays based on specific artifacts that were part of the exhibit.

Table of Contents:

Introduction Angelo Scarlato, Lauren Roedner ’13 & Scott Hancock

Slave Collars & Runaways: Punishment for Rebellious Slaves Jordan Cinderich ’14

Chancery Sale Poster & Auctioneer’s Coin: The Lucrative Business of Slavery Tricia Runzel ’13

Isaac J. Winters: An African American Soldier from Pennsylvania …

Slave Revolt At Battery Wagner, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The assault on Battery Wagner: we so often look at that tense moment on a beach in South Carolina from the eyes of the men of the 54th Massachusetts. They hailed from all over the United States. Some were from Pennsylvania, Massachusets, Connecticut - born free and willing to risk it all for the freedom of others. Some were from the American South, former chattel property who had seized their freedom of their own accord. [excerpt]

Commemoration, Past And Present: An Interview With Emmanuel Dabney In Three Parts, Part Three, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Emmanuel Dabney, one of the Civil War Institute Summer Conference speakers, is a park ranger at Petersburg National Battlefield. At the Summer Conference, “The War in 1864,” he will give a lecture titled, “Catching Us Like Sheep in a Slaughter Pen”: The United States Colored Troops at the Battle of the Crater. In anticipation of the Institute, Emmanuel Dabney answered questions on intepretation, Petersburg, and the future of the Civil War. This is the final installment in a three part series. [excerpt]

Complicating History: An Interview With Emmanuel Dabney In Three Parts, Part One, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Emmanuel Dabney, one of the Civil War Institute Summer Conference speakers, is a park ranger at Petersburg National Battlefield. At the Summer Conference, “The War in 1864,” he will give a lecture titled, “Catching Us Like Sheep in a Slaughter Pen”: The United States Colored Troops at the Battle of the Crater. In anticipation of the Institute, Emmanuel Dabney answered questions on intepretation, Petersburg, and the future of the Civil War. His responses will be posted in a three-part series. [excerpt]

Obsessive Digging In Carolina Sand And Baltimore Asphalt, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

My parents moved to Wilmington, North Carolina a couple years ago. I have to admit, I am fascinated when I visit the South, for the sheer fact that it is such a vastly different environment than I'm used to. For one thing, the war happened there. For another, the war got very complex and interesting there. [excerpt]

Buckeye Blood Waters The Longleaf Pines, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the woods south of Wilmington, men in blue uniforms moved forward in a loose skirmish line. They were probing, trying to find General Hoke's last line of defense. Brig. General Charles Paine sent the men forward to develop the enemy. But in the pine thicket ahead, in a thin, ragged line, the bedraggled rebel troops likely had more to fear than bullets as those skirmishers probed and prodded on a February day in 1865. [excerpt]

Stewart W. Woods: A Peculiar Casualty At Fort Wagner?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods' war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt]

Tool Of Revolution, Piece Of The True Cross, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

One of my former students, brilliant researcher and Gettysburg College Senior Lauren Roedner has been pulling together an exhibit from the private collection of Angelo Scarlato, displayed in the display cases in Gettysburg College's Special Collections. The exhibit,Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era opens officially on Monday. But I was able to sneak a quick peak on Wednesday night of the exhibit-in-progress. [excerpt]

Living Fortress Of The Heart: Resonance Of Emancipation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Jacob dragged me somewhere again. I really should learn to say, "no," because no matter where I get dragged by Jake, it always ends up wrecking my brain for months and making me obsess about some amazingly minute interpretive experience. But I'm a glutton for interpretive punishment. [excerpt]

The Whole War In One Photo, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Broken chains and muskets: the very essence of the slaveholder's rebellion. The war was caused by a blind, stalwart defense of slavery. The war hinged upon the future of slavery in America. The war shattered slavery in the United States forever. [excerpt]

The Civil War Letters Of Jeremiah Mickly Of Franklin Township, Adams County, Eric Ledell Smith

Adams County History

On December 2, 1862, just eleven days before the Battle of Fredericksburg, Virginia, Jeremiah Mickly said goodbye to his wife and two children and reported for duty with the 177th Pennsylvania Infantry to become a Civil War chaplain. The only known photograph ofMickly shows him dressed in the standard chaplain's uniform of the day: a plain black frock coat with a standing collar and black buttons with plain black pantaloons. Like many other Civil War soldiers, Mickly re-enlisted for service after his stint with the 177th ended, becoming chaplain of the 43rd Regiment, United States Colored Troops. Impressed with the …