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Voices Trapped Within The Portrait: Annetje Kool Pieter Vanderlyn And The Expectations Regarding Gender In Public And Private Spheres In A Burgeoning Nation, Abigail Hollander

Honors Theses

The main subjects of this study, Pieter Vanderlyn, the attributed artist of “A Portrait of Annetje Kool” (c.1740), and Annetje Kool, the sitter, both had subversive identities relative to the sociocultural expectations of New Netherland, a Hudson River Valley based settlement. The oil portrait on canvas depicts a young woman in an elaborate dress with lace and gilt embellishments. To understand this portrait’s historical context, this thesis examines how male and female voices functioned on the margins of the moral boundaries that shaped expectations of gender appropriate thought and action during the colonial, revolutionary, and post-revolutionary eras in New York …