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Full-Text Articles in History
Capitalism And Biblical Ethics, Sarah D. Stewart
Capitalism And Biblical Ethics, Sarah D. Stewart
Liberty University Journal of Statesmanship & Public Policy
There has been a growing trend in some expressions of Christianity to view Capitalism as fundamentally incompatible with the Christian faith. This article looked to a variety of sources to argue that Christianity and Capitalism are not fundamentally incompatible. Rather, Capitalism developed alongside developments in Christian theology during the Middle Ages. This traditional form of Capitalism is defined and argued for in this article. The article attempts to demonstrate that the elements that allow Capitalism to thrive are compatible with Christian ethics. The case is made by first examining the historical development of Capitalism and its relationship to Christianity. From …
No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander
No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander
Journal of Religion & Film
This article explores ways in which film expresses “internal history” in the context of Muslim cultures. As such, it enquires how film can work as both Islamic art and historical contemplation. The films discussed here, Nacer Khemir’s Wanderers in the Desert and Muhammad Rasoulof’s Iron Island, inhabit and explore the borderline between imagination and reality. The films in question offer an imaginal interspace between “modern” and “traditional” worlds. As such they open up critical perspectives on the meaning of history. What follows is a discussion of how each film offers a window onto differing perceptions of time, and what …
Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright
Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright
Journal of Religion & Film
John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.
"The Finest Of Any In The World": Silk Production And The Politicization Of Women In Utah, Hannah Chapman
"The Finest Of Any In The World": Silk Production And The Politicization Of Women In Utah, Hannah Chapman
AWE (A Woman’s Experience)
No abstract provided.