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Narcissuses, Medusas, Ophelias… Water Imagery And Femininity In The Texts By Two Decadent Women Writers, Viola Parente-Capkova
Narcissuses, Medusas, Ophelias… Water Imagery And Femininity In The Texts By Two Decadent Women Writers, Viola Parente-Capkova
Wagadu: A Journal of Transnational Women's & Gender Studies
My concern is the way in which women writers whose work can be characterized as Decadent and/or Symbolist used the figures of Narcissus, Medusa and Ophelia, as well as the imagery of femininity and water. When analyzing this aspect of their work, I am looking at the ways in which these writers created and co-created the Decadent imagery, what strategies they adopted in their representations of woman and the construction of female subjectivity.
The Heart Of Undine: The Im/Possibility To Love Under Water, Ulrike Hugo
The Heart Of Undine: The Im/Possibility To Love Under Water, Ulrike Hugo
Wagadu: A Journal of Transnational Women's & Gender Studies
This short story plays upon the myth of the water nymph, who out of love for a man gives up her previous existence and becomes mortal. Traumatized women, especially, often experience love in this tension of devotion and self-sacrifice. The text plays with a metaphorical language bordering lyricism and kitsch, it plays with exaggerated notions of love and projections and culminates in an ending which is predictable yet deviates from the myth.