Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in History
An Analysis Of Women And Terrorism: Perpetrators, Victims, Both?, Elizabeth Lauren Miller
An Analysis Of Women And Terrorism: Perpetrators, Victims, Both?, Elizabeth Lauren Miller
Dissertations, Theses, and Capstone Projects
This paper will analyze women’s participation in terrorism under groups like al-Qaeda and the Islamic State. It will research the use of violence within terrorist organizations, perpetrated by female participants. What leads women to join groups like the Islamic State? There will be an analysis of the factors that attract women to joining terrorist organizations, in addition to the practices of recruitment that aid in their radicalization. There is a misconception that women who join the Islamic State lack education, which is seen as the sole reasoning for their radicalization or involvement. In reality, several reasons exist leading to their …
Shock And Awe, Sectarianism, And Violence In Iraq Post-2003, Sarim Al-Rawi
Shock And Awe, Sectarianism, And Violence In Iraq Post-2003, Sarim Al-Rawi
Dissertations, Theses, and Capstone Projects
The violence systematically deployed upon the prosperous nation of Iraq in 2003 was directly influenced by the Shock and Awe doctrine set forth by Harlan K. Ullman and James P. Wade in their 1996 book Shock and Awe: Achieving Rapid Dominance. The experimental methods of warfare and violence outlined in the text describe methods for the systematic destruction of every major aspect of a nation and society, militarily, economically, and socially. In the wake of the US Invasion of Iraq, we saw the direct implementation of these methods by the occupation forces, setting off a brutal cycle of violence that …
From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene
From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene
Dissertations, Theses, and Capstone Projects
Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …