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Identity War: World War I Through The Lens Of Carl Schmitt And Ideology, Charles Zambito
Identity War: World War I Through The Lens Of Carl Schmitt And Ideology, Charles Zambito
All Theses
This thesis will examine World War I from an ideological perspective through the lens of Carl Schmitt. The Central Powers and in particular how Germany represented Romanticism,Social Darwinism,militarism,and tradition more broadly; at the same time however Germany also paradoxically represented modernism and nationalism sometimes called Reactionary Modernism as all of these ideas were the key to German unification in 1871. The Entente powers and especially France and Britain represented liberalism,empiricism,rationalism, stoicism, and internationalism. The philosophical ideas of stoicism and classicism can especially be seen in Britain where the idea of a stiff upper lip and maintaining peace and order were …
"The Spirit Of The Old South Can Never Die": Postbellum Middle Florida And The Elite Struggle For Social Hegemony, 1850-1942, Alexander J. Bowen
"The Spirit Of The Old South Can Never Die": Postbellum Middle Florida And The Elite Struggle For Social Hegemony, 1850-1942, Alexander J. Bowen
All Theses
The Lost Cause is an ideology that falsely portrays the antebellum South as an idyllic, agrarian society, the Confederacy’s cause as a just defense of states’ rights, and slavery as a benevolent institution. Historians of the U.S. South rightly attribute much of the Lost Cause’s creation to the South's prewar elite, particularly women from the planter class who led Confederate memorialization efforts. As the Lost Cause celebrates an antebellum slave society and Confederacy controlled by elites, it is clear the ideology also celebrated the South's prewar elite. However, previous studies of the Lost Cause fail to seriously question what benefit …
How “Interested” Criticism Fueled The Formulation Of Nineteen Eighty-Four’S Cultural Afterlife, John Cameron Bosch
How “Interested” Criticism Fueled The Formulation Of Nineteen Eighty-Four’S Cultural Afterlife, John Cameron Bosch
All Theses
George Orwell’s Nineteen Eighty-Four carries a “cultural afterlife” as a result of “interested” criticism, which has a set political/practical barometer or motive. While everyone agrees that the novel presents a frightening dystopia, many also consider it a prophetic piece that illuminates the possible corruption of executive power of a nation thanks to this cultural afterlife; the modern and popular term “Orwellian” resulted from these sorts of analyses and have only escalated in the years since its inception. As a result, within the past decade, multiple scholars, analysts, and journalists have referenced Orwell’s novel as a factual representation of this executive …