History Commons^™

Story Circle: Dayton History Music Project Records, Rick Webster, James Carter, Leonard Davis, Jim Foreman, Fran Davis Razor, Vicki Van Winkle Craycraft, Dan Maloon, Steve Carrasas, Ira Stanley, Gary Hill, Vondal Moore, Dawne Dewey, Chris Wydman

Dayton Music History Project Records (MS-607)

A story circle on the history of music in Dayton was moderated by Dawne Dewey and Chris Wydman from the Wright State Special Collections and Archives. Local musicians were gathered together to talk about the music scene in Dayton. They recalled venues, bands, and performers in the Miami Valley Region.

Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis

David B. Dennis

No abstract provided.

Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis

David B. Dennis

No abstract provided.

Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis

David B. Dennis

No abstract provided.

Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis

David B. Dennis

No abstract provided.

How Music Can Transform The Most Unlikely Of People, Megan Bastow

Faculty Curated Undergraduate Works

Bruce Springsteen stands as the epitome of the American Dream. From working-class roots to the international stage, he has worked his way to the top through the power of music. This paper aims to compare and contrast Springsteen’s journey with the life of a figure close to home: my father. Both men have succeeded in throwing expectation aside and immersing themselves in their true passion of music.

Rhapsody In Red, White And Blue: The Co-Evolution Of Popular And Art Music In The United States During World War Ii, Douglas A. Kowalewski

Student Publications

World War II was a watershed event in twentieth century American history. All aspects of life, including music, both found roles to play in the war effort and were forever altered by the conflict. Past work on the subject of American music in World War II tends to focus heavily on the nature and impact of popular music during this time period. While this paper will review and build upon this scholarship, art music during the war will also be considered. Using two distinctly different, yet complementary, autobiographies – those of army band musician Frank Mathias and composer Gunther Schuller …

Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer

Yale Journal of Music & Religion

Drawing on fieldwork conducted in Cambodia and its diaspora since 2004, this article explores tensions that arise when individuals and institutions impose nation-state ideologies on music and ritual that predate the nation-state concept and transcend official state boundaries. In numerous contexts, musicians and dancers in Cambodia and Thailand perform offerings and blessings that honor their teachers and initiate artistic lineages. Due to broad influence from India and centuries of conflict and borrowing, these rituals—though not necessarily their musical content—have proliferated in these two countries. I describe these nearly identical rituals—called thvāy grū in Khmer and wai khruu in Thai—and their …

From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene

Dissertations, Theses, and Capstone Projects

Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

David B. Dennis

A detailed examination of Richard Wagner's reception in Nazi Germany.

1993 Shrine Of Mary Revitalized

St. Norbert Times

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"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

David B. Dennis

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

Beethoven At Large: Reception In Literature, The Arts, Philosophy, And Politics, David B. Dennis

David B. Dennis

A detailed analysis of Beethoven's influence on global culture.

Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld

Dissertations, Theses, and Capstone Projects

Drawing from fieldwork conducted throughout the United States and Canada, this dissertation examines the continued performance of socialist-era music within the Romanian-American community. It addresses why a community largely made up of people who sought to leave the country during the authoritarian regime of Nicolae Ceauşescu continue to perform music tied to that period by tracing the historical performance and reception of multiple genres, ranging from traditional peasant music to folk rock. The dissertation begins by examining the nationalization of Romania’s music industry under the early socialist regime (1944-1965), and locates the difficulties Communist Party members confronted in delineating a …

Guide To The William Russo Collection, College Archives & Special Collections

Collection Guides / Finding Aids

This guide describes the organization and scope of the William Russo archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. William "Bill" Russo (1928-2003) was a composer, conductor, musician, teacher, and author; he was also the founder of the Chicago Jazz Ensemble at Columbia College Chicago, the founder and Director of Chicago Free Theater, and the director of High School Jazz Festival.

Guide To The Sherwood Community Music School, College Archives & Special Collections

Collection Guides / Finding Aids

This guide describes the organization and scope of the Sherwood Community Music School archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. The Sherwood Music School opened in 1895 and has served as a degree-granting institution for musicians, a hub for the students of music distance education, and a community music school offering lessons and programs for musicians of all ages.

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.

Music And Race In The American West, William Steven Schneider

Dissertations and Theses

This thesis explores the complexities of race relations in the nineteenth century American West. The groups considered here are African Americans, Anglo Americans, Chinese, Mexican Americans, and Native Americans. In recent decades historians of the West have begun to tell the narratives of racial minorities. This study adopts the aims of these scholars through a new lens--music. Ultimately, this thesis argues that historians can use music, both individual songs and broader conceptions about music, to understand the complex and contradictory race relations of the nineteenth century west.

Proceeding thematically, the first chapter explores the ways Anglo Americans used music to …

Evolution Of The Cello In Music, Joshua Propst

Mahurin Honors College Capstone Experience/Thesis Projects

With this project, I have studied cello music written throughout many of the major musical eras in an attempt to discover the cello, specifically regarding playing style, technique, and tonal ability. The composers included in this project are Bach, Haydn, Dvořák, Pärt, and Amanti. Most of the major musical styles are represented, with a focus on baroque, classical, romantic, minimalism, and jazz. I performed this wide variety of pieces at my Senior Recital for the Western Kentucky University (WKU) Music Dept. The goal of the recital was to showcase the rich musical history of the cello and how cello composition …

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …

Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman

Dissertations, Theses, and Capstone Projects

Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …

Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth

History

During the relatively short period from the mid-to-late eighteenth century when glass musical instruments were manufactured and gained popularity, several women made names for themselves in the realm of avant-garde musical performance. The lives of three female glass instrument players: Anne Ford, Marianne Davies, and Marianne Kirchgassner, show how these successful performer-entrepreneurs operated in an age of emerging feminine public identity. Their journeys reveal much about the gender dimensions of the age, the role of music in the modern era, the consumption of it, and their approach to business. The financial opportunities presented to women looking to challenge the limitations …

From Woody Guthrie To The Big Muddy: The Evolution Of Political Music In America From World War I To The Late 1960s, Alexander B. Kouwenhoven

Honors Theses

Throughout the course of American history, music has served as a vital cultural mode for the expression and articulation of the collective American experience. Perhaps the most iconic connection between music and politics in American history occurred during the 1960s in the era of the counterculture and the Vietnam War. During this period, rock ‘n’ roll musicians became the figureheads for the Anti-War campaign and represented the political objectives of the New Left. However, the iconic status of these political musicians did not arise in a vacuum. These musicians, and their political importance in America can trace its origins to …

Program; 2017-05-28, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Carpenter, Howard R., 1919-2016 (Mss 613), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 613. Manuscript orchestral music for several pieces composed by Howard R. Carpenter, a music professor at Western Kentucky University from 1953 to 1984.

Environmentalism And The Music Of Sir Peter Maxwell Davies, Karen Olson

Arts & Sciences Electronic Theses and Dissertations

Music critics and scholars frequently present British composer Sir Peter Maxwell Davies (1934-2016) as a green composer, but little work has been done to determine the kinds of environmentalism his music supports. This dissertation focuses on the relationship between Davies’s music and British environmentalism, both as protest music and as government policy. Drawing on such diverse fields as philosophy of the environment, British political history, and environmental aesthetics, I examine how Davies’s music responded to the political climate of its times, and how its reception changed as certain environmental models, such as sustainable development, gained political relevance. Over the course …

Who Benefits From Blackness? The White Compulsion For Capital, Akira Milligan

Cultural Studies Capstone Papers

This project will examine the change in representations of blackness and black character in commercially successful hip hop music through music videos directed by Hype Williams from 1995 to 2005. This research will use a womanist approach to address the significant historical influence of storytelling in the black narrative and how the emerging concepts of hypermasculinity and the degradation of the black body have seemingly become the new normal. These concepts largely contribute to the negative stereotypical perceptions of black identity that keeps black bodies marginalized because there is little diversity in the public representations of blackness while there exists …

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …

The Music And Politics Of Willy Chirino, Nancy N. Balcziunas

Honors College Theses

Cuban musician and singer Willy Chirino, the self-proclaimed inventor of the “Miami Sound,” was sent to the United States as a teenager in the 1960s under Operation Pedro Pan to escape the influence of Fidel Castro's communist regime. Throughout his career, he has used his music to spread a personal and political agenda; his rejection of communism and the Castro regime can be seen through his song lyrics, humanitarian efforts, and direct engagement in the world of politics.