History Commons^™

Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis

David B. Dennis

No abstract provided.

Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis

David B. Dennis

No abstract provided.

Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis

David B. Dennis

No abstract provided.

Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis

David B. Dennis

No abstract provided.

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

David B. Dennis

A detailed examination of Richard Wagner's reception in Nazi Germany.

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

David B. Dennis

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

Beethoven At Large: Reception In Literature, The Arts, Philosophy, And Politics, David B. Dennis

David B. Dennis

A detailed analysis of Beethoven's influence on global culture.

Book Review: "Staging The French Revolution: Cultural Politics And The Paris Opera, 1789-1794", Wayne C. Wentzel

Wayne Wentzel

Dr. Wayne Wentzel's review of Mark Darlow, Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789-1794. Oxford and New York: Oxford University Press, 2012. xi + 421 pp. Tables, illustrations, graphs, musical examples, bibliography and index. $ 65.00 (hb). ISBN 978-0-19-977372-5.

The Interaction Of Music And Dance In Africa, Dan Rager

Dan Rager

In Search Of The Wind-Band: An International Expedition, Daniel Rager

Dan Rager

In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.

The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.

1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …

History Of The Blues, Dan Rager

Dan Rager

This all inclusive History of the Blues introduction begins as early as 1400, when the first global trading routes began. Two early maps are enclosed from this period showing the direction and locations from which people, food and supplies were moved.

This research presentation illustrates African tribes such as the Arada, Dahomey and Fulani who sang music in their daily rituals and ceremonies long before they were moved to other continents. Early developmental music elements are introduced including spirituals, worksongs, Scottish ballads, Methodist and Baptist hymns, call and response, guttural effects, interpolated vocality, falsetto and blue notes. All of these …

Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager

Dan Rager

Each time period has its own social, cultural and religious rules from which composers obey. Bach’s sacred and secular works walk a fine line and are hard to distinguish between, but each has been performed throughout the ages in a variety of settings. This paper investigates Bach’s: Ideologies and Scoring which include his petition of August 23, 1730, his Horn (Corno) and its many names and uses. The author details Bach’s trombone (s), how he use them and in what compositions they can be found as well as Bach’s trumpet (s), their various keys and uses including musical excerpts, ornaments …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

Thomas Bacher

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

The Death And Second Life Of The Harpsichord, Edmond Johnson

Edmond Johnson

Rallying Round Our Liberty, Wendell Dobbs, Leo Welch, Linda Dobbs, Neil Cadle

Linda Dobbs

No abstract provided.

Undergraduate Research Programs And The Academic Library, Nancy Cunningham, Richard Pollenz Ph.D., Drew Smith, Mark I. Greenberg Ph.D.

Mark I. Greenberg

Undergraduate research (UR) programs attract highly motivated students who often continue on to graduate/professional schools but may lack necessary information literacy skills. Collaboration with UR programs provides librarians new opportunities to help students develop these skills and work with specialized collections in the context of a research experience. In this webinar, librarians and UR administrators share their experiences in forging collaborations based on UR and library training resources, explain how information literacy skills programming has been embedded into UR, and demonstrate how this partnership has led to greater visibility of library services, collections and UR among all undergraduates.

The Beggar's Opera And Its Criminal Law Context, Ian Gallacher

Ian Gallacher

This chapter seeks to take the characters and situations of Gay's The Beggar's Opera and consider how closely the play's portrayal matches the historical record. Although the view offered by the play is a restricted one, the chapter concludes that the picture it offers is as close to historical reality as any other document from the period.

Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching

Barbara Ching

In 1972, when Doctor Hook and the Medicine Show sang "The Cover of the Rolling Stone," they cast rock critics as arbiters of stardom. By the time Cameron Crowe used th is song in his 2000 film Almost Famous, it held little irony. Sex and drugs were good but they just couldn't compare to joining the magazine's anointed. Currently, some alternative country aspirant could sing the same tune about No Depression. The magazine, now in its eighth year, invariably uses its cover to showcase an alt.country artist. It has sponsored alt.country package tours (in which the editors indulge the fan's …

Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching

Barbara Ching

This book is about hard country music for two reasons. First, it's impossible to really understand country music, now one of the most popular forms of music in the United States, without recognizing that its "country" is a disputed territory where a mainstream-oriented pop production style reigns over a feisty and less fashionable form-"hard country." Second, hearing hard country music offers an important perspective on the bewildering cultural situation, often called postmodernism, in which we find ourselves. Conversely, once we recognize the postmodern rhetoric of cultural distinction embedded in contemporary hard country, we can hear the music as something more …

Acting Naturally: Cultural Distinction And Critiques Of Pure Country, Barbara Ching

Barbara Ching

Country music has the fastest-growing audience in America but it is still rather scandalous for an intellectual to admit to liking it. Contemporary cultural theory—which is to say cultural studies—has thus had practically nothing to say about it. At first glance, it may seem that everything has already been said. I know well enough that many people find country music to be dumb, reactionary, sentimental, maudlin, primitive, etc. Still others, perhaps influenced one way or another by the Frankfurt school, sneer at what they feel is the contrived, hokey, convention-bound nature of the music: they hear a commodification and cheapening …

Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance, Joanne M. Riley

Joanne M. Riley

Tarquinia Molza (1542-1617), an Italian musician of the late Renaissance, worked at the Este court of Ferrara in the 1580's with several other women collectively referred to at the time as the "concerto delle donne." The vocal virtuosity of this group of women supposedly inspired famous male composers to write madrigals featuring ornamented soprano parts that undermined the equal-voiced madrigal ideal, and paved the way for the concertante principle of the Baroque.

However, contradictions and questions still surround the historical contribution of the "singing Ladies of Ferrara"-- questions that can be satisfyingly answered after examining the roles of both women …