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Full-Text Articles in History
Risky Business Provocation And Interpretation, Alexandria J. Andrioli
Risky Business Provocation And Interpretation, Alexandria J. Andrioli
The Gettysburg Compiler: On the Front Lines of History
The fourth commandment of Freeman Tilden’s six principles for interpretation is, “The chief aim of Interpretation is not instruction, but provocation.” This statement is both profound and problematic because the very heart of provocation is goading some sort of reaction from someone or something. Provocation usually has a negative connotation associated with it, like to purposely play the devil’s advocate in order to upset someone. Of course, a museum’s goal is never to intentionally upset visitors. However, at the same time, a museum may want to change the way visitors might think about a certain topic in order to view …
A Beacon Of Hope: Contraband Camps, Harpers Ferry, And John Brown, Alexandria J. Andrioli
A Beacon Of Hope: Contraband Camps, Harpers Ferry, And John Brown, Alexandria J. Andrioli
The Gettysburg Compiler: On the Front Lines of History
Stereoviews were created by using a twin-lens camera that captured the same subject from two slightly different angles. The photographer then placed the two images on a stereoview card that could be inserted into a special viewer that merged the two images together and created a life-like, three-dimensional image. Stereoviews’ low cost meant they were an inexpensive way to insert one’s self into realistic three-dimensional scenes like the pictured contraband camp.
King Cotton And The Rising Sun: The Japanese Navy’S Confederate Ironclad, Alexandria J. Andrioli
King Cotton And The Rising Sun: The Japanese Navy’S Confederate Ironclad, Alexandria J. Andrioli
The Gettysburg Compiler: On the Front Lines of History
When the American Civil War ended in 1865, the United States government sold off naval vessels as the country transitioned to Reconstruction. One of those vessels, the CSS Stonewall, traveled to countless and unexpected locations. The CSS Stonewall never fought in the American Civil War as it was intended to do, but instead was destined to fight in the civil war between the Japanese shogunate and emperor as the first ironclad warship of the Imperial Japanese Navy.