History Commons^™

Slave Revolt At Battery Wagner, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The assault on Battery Wagner: we so often look at that tense moment on a beach in South Carolina from the eyes of the men of the 54th Massachusetts. They hailed from all over the United States. Some were from Pennsylvania, Massachusets, Connecticut - born free and willing to risk it all for the freedom of others. Some were from the American South, former chattel property who had seized their freedom of their own accord. [excerpt]

Halfway Out Of The Dark: Christmas 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A note received any day letting you know a son is gravely wounded is horrible. Receiving it on the first day of December is particularly horrible. In this month of gathering together, hearing your son is suffering can't be cheering. [excerpt]

And With The Sound The Carols Drowned: Captives In Bleak December, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Christmas was coming, and a knot of officers of the 87th Pennsylvania suddenly found their December a bit brighter. Nine boxes had been sent along to the officers, packed to the brim with, "all kinds of necessaries and delicacies, such as will be conducive to our comfort and health while in our present condition." And the soldiers were pleased.

Any soldier would be pleased to have a pair of warm socks, a stack of stationary or a can of preserved vegetables from home. But these men were doubly pleased.

The letter of gratitude they wrote to the Gettysburg Compiler was …

Obsessive Digging In Carolina Sand And Baltimore Asphalt, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

My parents moved to Wilmington, North Carolina a couple years ago. I have to admit, I am fascinated when I visit the South, for the sheer fact that it is such a vastly different environment than I'm used to. For one thing, the war happened there. For another, the war got very complex and interesting there. [excerpt]

Buckeye Blood Waters The Longleaf Pines, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the woods south of Wilmington, men in blue uniforms moved forward in a loose skirmish line. They were probing, trying to find General Hoke's last line of defense. Brig. General Charles Paine sent the men forward to develop the enemy. But in the pine thicket ahead, in a thin, ragged line, the bedraggled rebel troops likely had more to fear than bullets as those skirmishers probed and prodded on a February day in 1865. [excerpt]

Her Bright Blazon Forever Unstained, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Just a few lyrics today, nothing more, nothing less. Lyrics of joy. Lyrics of home. Lyrics of who we are as a nation. Might we never forget who we are again. [excerpt]

Shaw's Backside: The Other Side Of An Icon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This week I find myself in Boston, one of the couple of American cities which call themselves the cradle of liberty. But I'm not drawn like a moth to the Revolution. It's just not my bean.

Instead, I find myself in the awkward position of standing at a visitor desk and asking a park ranger what will interest a Civil War geek in a Revolutionary-bent city. That dog don't hunt so well. [excerpt]

Child's Play: War, Toys And Avoiding The Trivial, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This past weekend, I let my two hobbies combine. I spend a good chunk of my spare time doing incessant, weird and wild historical research. If you've read along on the blog for any appreciable time, you know the odd corners I've turned finding peculiar and striking stories both here in Gettysburg and beyond.

But I have another hobby.

I am an Adult Fan of LEGO. [excerpt]

Finding The Good: An Emotional Anniversary, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I am an exacting judge of interpretive product. I realize this. My boss and I have had a few discussions about how both of our standards, sometimes, might be just a bit too high.

I still am not convinced that pure and utter excellence is not too much to ask for on every interpretive program. All too often, though, I don't find it.

When I do see amazing moments, it thrills me. I get outrageously excited. Through my entire experience as a visitor at the sesquicentennial celebration at Gettysburg, two programs stand out as verging on that sort of gleaming …

Stewart W. Woods: A Peculiar Casualty At Fort Wagner?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods' war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt]

A New Theory For Battle Landscapes - Toward An Interpretive Future, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's a misunderstanding. The misunderstanding has been long and deep. It goes something like this:

Your crusade to destroy the current practice of military history on battlefields is a form of fundamentalism just like the supposed fundamentalism of military history you aim to change. [excerpt]

To My Great Great Grand Uncle - On The Occasion Of The 150th Anniversary Of Your Death, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Dear William Henry,

I'm writing this standing near the spot where you died, exactly 150 years ago nearly to the second. I'm typing on a tiny screen, a technological marvel that lets me share the stories of men like you with the world instantly.

They've put up a monument to you and the 17 other men who died along with you along the banks of Plum Run creek. We call this place "The Valley of Death" now. I think you among all people who have walked this green earth would understand why.... [excerpt]

Just Fields: 30 June 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

South of Gettysburg as midnight chimed on June 30th and the calendar flipped over to July, a quiet peach orchard sat at the corner of a narrow lane and the road to Emmitsburg. It was just a peach orchard. [excerpt]

There Is Still Time: Contingency And History, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"...and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave..."

William Faulkner's Intruder in the Dust has that beautifully evocative passage that anyone worth their salt contemplating a Pickett's Charge program has considered including in their ebb and flow. Faulkner was a master of language, and his passage about, "every Southern boy fourteen years old," is a particularly artful. …

The Semester Ends, The Semester Begins, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

It's finals week at Gettysburg College, but in another time, it was just the beginning of the oddest session of college just over 100 students would ever experience. Some would join the 26th PEMR, some would run home from the oncoming rebel hordes, and others would remain in Gettysburg, sitting in the cross-hairs of the war as the slowly rested on Adams County. [excerpt]

Gettysburg's Other Unknown Soldier, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

We all know the name Amos Humiston. We know he was found on the first day's field. We know he clutched the image of his three children, an unknown soldier until his wife Philinda Humiston saw her children peering back at her from a copy of that picture. We know his drama and the agony of Philinda, we know the heartbreak and horror.

But who's buried next to him? [excerpt]

Two Kosciuszkos: Fighting For Liberty, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I got in trouble down in the District of Columbia before Christmas. I made the mistake of asking friend and fellow blogger Aaron Urbanski why I should care who Thaddeus Kosciuszko was. He went mildly ballistic. Aaron has a soft spot in his heart for the old Polish general, partially because his last name is Urbanski. I can't begrudge him that.

So the name "Kosciuszko" has been rattling violently around in my head since December. Recently it broke free. And it was because of the Civil War, Gettysburg and a Pennsylvanian general that I found out why Thaddeus Kosciuszko might …

Meaningless Lists Of Soldiers: Hidden In Plain Sight, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This week I had the chance to visit National Archives 1 to do some research for work into the history of the Federal Armory at Harpers Ferry, and particularly the building I work in. Mather Training Center waswas the Superintendent's House before the War came and upended the entire town. It was nice to get back into the stacks downtown and dig through musty boxes of (in this case) Office of the Chief of Ordinance records.

It brought to mind the last time that I got the chance to root around in the trove that is the Nation's repository down …

Why The "Harvest Of Death" Doesn't Matter (And Why It Does), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I went on a tour a few Sundays ago. It was very tough to explain exactly what I had done (in sensible terms) with my coworkers when I came into the office the next Monday morning. Not just very tough, but embarrassingly tough.

THEM: "What did you do this weekend, John?"

ME: "Well, Sunday I went on a tour of places on the Gettysburg battlefield where one specific photo wasn't taken-"

THEM: *blank stare* [excerpt]

Fear In Illinois: A Father's Grief, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Like a prose poem, the passage leaped off of the page of the Lutheran and Missionary as I scanned the newspaper's columns. Sitting in the reading room of the Abdel Ross Wentz Library at the Lutheran Theological Seminary, my heart raced. It's not often that you find new words penned by someone you've been studying for years. [excerpt]

Divided Maryland: Antietam 150th Interpretive Talk, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A few weeks ago, I spent an amazing weekend interpreting the Dunker Church. Not many of you were able to visit that amazing place on that amazing weekend.

For those of you out there who didn't get to see my talks that weekend, or for those of you who would like to live them again, check out this MP3 recording of the presentation, with added music and sound. [excerpt]

Four Days In Heaven Spending Four Days In Hell, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I spent four days this past weekend wallowing in the depths of hell. Around me swirled the maelstrom of battle, a spinning vortex of blood, death, destruction and loss. Outside the windows, every patch of ground is a reminder of the sacrifice and heartache.

If you squinted your eyes, or better yet closed them completely, you could see it all. [excerpt]

Sharpsburg, Maryland: 150 Years Later, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

If you are somewhere in the mid-Atlantic region over this next weekend, are obsessed with studying and understanding the Civil War and aren't going to be trying your damnedest to be in Sharpsburg, Maryland this weekend, you might want to check your pulse. [excerpt]

An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I love being wrong. I think every historian should love that feeling. Finding that one small piece of evidence that puts a crack in your perception of the past and makes you restructure your view of the flow of history is a joy.

I had one of those moments a few weeks ago at Adams County Historical Society, digging through the vertical files for random things. I go digging every week or so, simply immersing myself in the raw material of the past and seeing what floats to the surface. [excerpt]

Dead Is Dead: Why 20% Doesn't Matter, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Over at Cosmic America, Keith Harris beat me to the punch on this one. But Jake can attest to the fact that, since the "news" of the revision of Civil War dead up by 130,000 broke, I have been grumbling on and off.

Once Upon A Time In Gettysburg: Sometimes It Works, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Monday night, I took my class out on the 'battlefield.' I know some of them are taking my class because, "it's Gettysburg College and I should take a Civil War class before I leave." I couldn't resist the siren call to show them where they have lived for four years and transform the meanings of that ground for them. So we went on a campus tour, the battlefield they walk everyday when they go to class or dinner or out to party on a Friday night. [excerpt]

Guest Post: Fear And Loathing At Shiloh, Vanessa Smiley

Interpreting the Civil War: Connecting the Civil War to the American Public

Everyone is and has been talking about the Shiloh 150th commemoration, whether it be the NPS event starting this week or the battle reenactment that took place this past weekend. It has been called the 'Antietam of the West.' All the events surrounding its 150th anniversary have been heralded as being one of 'the big ones' this year. Over 23,000 casualties of both sides in two days - a pretty significant and bloody battle. [excerpt]

Playing With Time And Contradictons: Warfield And Barksdale At Gettysburg, Jacob Dinkelaker

Interpreting the Civil War: Connecting the Civil War to the American Public

There is a small white farmhouse that sits a mile or so outside Gettysburg, Pennsylvania. During the time of the battle of Gettysburg, a blacksmith known as James Warfield owned it. Warfield, a 42 year old widower, had just moved to Gettysburg the year prior, 1862, from Maryland with his four daughters. Once in Gettysburg, he opened up a blacksmith shop adjoining his farm. In a county full of carriage makers, you could be assured that there was plenty of work for blacksmiths, and Warfield’s shop was touted as one of the best. [excerpt]

Confederates In The Dorm: Hidden In Plain Sight, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

You can imagine the terror in the young 21-year-old's eyes as he realized who was charging down the Cashtown Pike into Gettysburg on the 26th of June. You can feel the chill that might have run down his spine as he realized that the rebel army he had deserted, the one he had escaped by running to the Federal lines, was crashing down upon him again. And the deserter's fate during this war was simple: execution. [excerpt]

Manassas: Why They Fought Here, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Another quick observational post on the Sesquicentennial event at Manassas last month. This time, it all revolves around the Confederate living history camp adjacent to the Henry House, and more directly to the exhibit there which the reenactors entitled, "Flags of Manassas." Curiously, the flags of Manassas were only rebel banners, with nary an American flag in sight. But that's another discussion completely. [excerpt]