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Full-Text Articles in History
Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury
Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury
Fasciculus Temporum
Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.
The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.
Woodcuts Of Human Oddities In The Fasciculus Temporum, Brady Brick
Woodcuts Of Human Oddities In The Fasciculus Temporum, Brady Brick
Fasciculus Temporum
This paper focuses on two woodcut images of human oddities in Portland State University’s edition of the Fasciculus temporum (Prüss, Strassburg, 1490).
One woodcut shows children with birth anomalies affecting their eyes, arms, and legs. The second is of a cynocephalus or dog-headed man. The history and context of these types of images and their significance within the text are both considered. This paper also examines possible medical explanations for the physical anomalies shown in the woodcut images.
The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla
The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla
Extra-Textual Elements
The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.
A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …