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Outlaws And Traitors: Justifying Rebellion In The Old French Epic Of Revolt, Klayton Tietjen
Outlaws And Traitors: Justifying Rebellion In The Old French Epic Of Revolt, Klayton Tietjen
Doctoral Dissertations
The plot of many chansons de geste hinges on acts that would have been considered treasonable by medieval legal custom. Yet despite conspicuously treasonous behavior, rebel characters remain the heroes of the tales. Coming to an understanding of the esoteric way that medieval poets and their audiences would have perceived the difference between rebel characters and traitor characters is the pursuit of this study. Through an investigation of the narrative logic and poetic details of epic poems like Girart de Vienne and other chansons de geste, the divergence between treachery and rebellion can be shown to reside in narrative …
Troya Victa : Empire, Identity, And Apocalypse In The Frankish Chronicles Of The Fourth Crusade, Jordan Amspacher
Troya Victa : Empire, Identity, And Apocalypse In The Frankish Chronicles Of The Fourth Crusade, Jordan Amspacher
Doctoral Dissertations
Histories of the Fourth Crusade have long revolved around the so-called “Diversion Question,” or the process by which a crusading army sworn to liberate the Levant from Muslim control ultimately found itself laying siege, not once but twice, to the largest city in Christian Europe. Competing answers to the Diversion Question have have tended to focus on the economic and diplomatic motivations of the crusade leadership. Scant attention, however, has been paid to the religious and intellectual motivations at play within the minds of these thirteenth-century Latin Christians. This dissertation examines intellectual trends in twelfth-century Latin Europe and the ways …
A Performance Of Disease And Its Cures: Lovesickness In Medieval Iberia, Lillian B. Sanders
A Performance Of Disease And Its Cures: Lovesickness In Medieval Iberia, Lillian B. Sanders
Masters Theses
In the context of late medieval Iberia, lovesickness as a real disease was both treatable and threatening to one’s lived experience. Different forms of lovesick cures, from both learned and vernacular healers, arose from the Galenic regime of the humoral body. Cures such as charms, mixtures, and verbal expressions helped heal lovesick patients, as is shown in the archive through sources like remedy books and literary texts depicting lovesick affliction. Much of the current scholarship on lovesickness focuses on medieval medicine through the archive. Through the lens of performance studies, I argue that medieval Iberians enacted cures on lovesick patients …