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Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero
Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero
University of Kentucky Doctoral Dissertations
In the centuries since the colonization of the New World, the people of Cuba created a strong musical tradition. Initially, their music mirrored the European composition canons of structural, melodic and harmonic order. The eventual confluence of its distinct cultural elements (i.e. the European, African, and, to a lesser extent, Amerindian) led to the emergence of a new, distinctly Cuban musical tradition.
The wars for independence that began in the United States and Europe in the eighteenth century created a surge towards political and cultural autonomy that swept across the Latin American colonies, generating a wave of nationalism during the …