History Commons^™

Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann

Artl@s Bulletin

Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.

On Writing And Righting History: The Stakes Of Holocaust Interpretation And Remembrance In Poland And The United States, Noa Gutow-Ellis

Honors Theses

This thesis explores the ways in which American Jews - and Americans more generally, by way of the Americanization of the Holocaust - have come to think about and understand Poland and how Poland has subsequently rejected their narratives. Historically, American Jewish cultural works have placed Poland as a geographic space, nation, and people at the center of stories of Jewish suffering in the Holocaust and World War II. In its quest to right and correct historical misunderstandings, this project looks at the ways Poland has worked to completely revise the historical narrative.

Through tracing historiographies of separateness between Jewish …