History Commons^™

"A Quixote In Imagination Might Here Find...An Ideal Baronage": Landscapes Of Power, Enslavement, Resistance, And Freedom At Sherwood Forest Plantation, Lauren K. Mcmillan

Northeast Historical Archaeology

In the winter of 1862, two armed forces descended upon Fredericksburg; one blue, one gray. After suffering heavy losses during the Battle of Fredericksburg, the Union Army retreated to the northern banks of the Rappahannock River, making camp in Stafford County. From December 1862 until June 1863, the Union Army overran local plantations and small farm holdings throughout the area, including at Sherwood Forest, the home of the Fitzhugh family. Sherwood Forest was used as field hospital, a signal station, a balloon launch reconnaissance station, and a general encampment during the winter and spring of 1862/1863. Throughout the roughly six-month …

Moorish Revival Synagogue Architecture: Community And Style, Past And Present, Emily S. Jelen

Binghamton University Undergraduate Journal

The Moorish architectural style, originating in medieval Spain, was revived in the mid-nineteenth century. It became strongly linked with synagogues, first in Germany and then throughout the Western world. My research analyzes why the architects and Jewish communities were so attracted to the Moorish Revival style. During this period, European Jewish communities were tasked with constructing synagogues that could showcase their newfound freedoms as well as their history, culture and aspirations. Many argue that this style was chosen to demonstrate the connection between the communities and their ancient Middle Eastern history.

“A Bright Pattern Of Domestic Virtue And Economy”: Philadelphia Queensware At The Smith-Maskell Site (28ca124), Camden, New Jersey, Thomas J. Kutys, George D. Cress, Rebecca L. White, Ingrid A. Wuebber

Northeast Historical Archaeology

Excavations at the Smith-Maskell Site (28CA124) in the Spring of 2011 by URS Corporation revealed a number of early 19th-century features behind what was once 318 Cooper Street in Camden, New Jersey. These features produced significant quantities of Federal period tea and tablewares, including a number of Philadelphia Queensware vessels. During this period Camden was beginning its transition from a scattering of sparsely populated villages to a city of summer residences and country retreats for Philadelphia’s well-to-do middle class. The likely owners of the Philadelphia Queensware found at the Smith-Maskell Site were among this prosperous middle class, and thus the …

The Rise And Fall Of American Queensware 1807-1822, Rebecca L. White, Meta F. Janowitz, George D. Cress, Thomas J. Kutys, Samuel A. Pickard

Northeast Historical Archaeology

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This article examines the history of several manufacturers of American queensware in Philadelphia, Pennsylvania, and beyond. Our research reveals that efforts to produce queensware were more extensive and widespread than previously thought. This survey expanded as we discovered references to contemporary queensware potteries in other parts of the United States during the first two decades of the 19th century. In all, 14 queensware-manufacturing ventures are identified and described from Pennsylvania, New Jersey, Ohio, what is now West Virginia, Vermont, and New Hampshire. Much of this research is drawn from period newspaper notices, advertisements, and surviving personal correspondence. The period …

Shipped But Not Sold: Material Culture And The Social Protocols Of Trade During Yemen’S Age Of Coffee, Perspectives On The Global Past Series. Honolulu: University Of Hawai’I Press, 2017., Nancy Um

Art History Faculty Scholarship

No abstract provided.

“1636 And 1726: Yemen After The First Ottoman Era.” In Asia Inside Out: Changing Times, Vol. 1. Ed. E. Tagliacozzo, H. Siu, And P. Purdue, 112-34. Cambridge, Ma: Harvard University Press, 2015., Nancy Um

Art History Faculty Scholarship

No abstract provided.

"Port Biography: Mocha," Encyclopedia Of Maritime History . Ed. John Hattendorf. 4 Vols. (New York:Oxford University Press, 2007), 2:580-81., Nancy Um

Art History Faculty Scholarship

No abstract provided.