History Commons^™

Billie's Reflections, Billie Wynn, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.

Skeleton Man, Billie Wynn, Sagian Shaw, Taira Schurman

Group Presentations

No abstract provided.

Fatma's Promise, Husna Abubakar, Simone Khanyi Hadebe, Clarissa Guzman

Group Presentations

No abstract provided.

Wendigo, Raul Falcon, Zoe Gilmore

Group Presentations

No abstract provided.

Taira's Reflections, Taira Schurman, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.

Simone's Reflections, Simone Khanyi Hadebe, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.

Sagian's Reflections, Sagian Shaw, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.

Raul's Reflections, Raul Falcon, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.

Rise, Ning Yen, Omar Abdelhamid, Erin Xi, Nicole Xu

Group Presentations

No abstract provided.

Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Motion Capture For Orature Wintersession 2024 | Syllabus, Melisa Achoko Allela, Movement Lab

Course Materials

This winter session course invites students to explore motion capture through the lens of traditional oral storytelling practices. Students will actively identify the unique and distinguishing features of orature, and leverage their own cultural backgrounds, personal perspectives, and idiosyncrasies to create motion capture data that can be used in crafting an immersive digital retelling of a folktale.

Session 7 | Audience Role And Interaction, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 4 | The Talking Cloth As Prop, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 9 | Digital Immersion & Presence In Oral Storytelling: Being There, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 8 | Non-Verbal Storytelling: Facial Expressions, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 1 | Orature: Setting The Foundation, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 2 | Oral Storytelling Space / Place / Time, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Songa: A Mocap Database, Melisa Achoko Allela, Movement Lab

Course Materials

No abstract provided.

Session 6 | Motion Capture For The Storytelling Performance, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 5 | Oral Storytelling Props And Costume, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

It Always Ends In A Fight: How A Vietnam Veteran Is Allegorized By Marvel’S “Winter Soldier”, Eirian Waldron

Summer Community of Scholars Posters (RCEU and HCR Combined Programs)

No abstract provided.

Stephen D. Geller Papers, Zach S. Henderson Library Special Collections

Finding Aids

This collection includes the creative works of Stephen D. Geller and personal materials ranging from 1954-2007. Creative works include his completed screenplays, teleplays, scripts, manuscripts, novels, poems, research files, and other related materials. Personal bound copies of some of his works are handwritten while others are typed. Personal materials include family photographs, an astrology birth chart, correspondence, and materials related to Geller’s early education.

Find this collection in the University Libraries' catalog

Neorrealismo Y Cine En Cuba: Historia Y Discurso En Torno A La Primera Polémica De La Revolución, 1951–1962, Anastasia Valecce

Purdue Studies in Romance Literatures

Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 examina la historia estética y las relaciones entre la producción cinematográfica cubana y el neorrealismo italiano. El recorrido histórico comienza en 1951, antes del triunfo de la Revolución, y termina en 1962, año que marca la ruptura entre los cineastas cubanos y la estética neorrealista italiana. Las colaboraciones principales sucedieron entre los directores de cine Tomás Gutiérrez Alea y Julio García Espinosa y el cineasta neorrealista italiano Cesare Zavattini. Las circunstancias que llevaron al fin de las relaciones entre Zavattini y los cineastas …

Female Filmmakers In The 1920s, Paige Brunsen

Honors Library Research Award

2018/2019 2nd place award winner. This paper explores the idea that the 1920s filmmaking "was recognized as an opportunity for big business, and women were pushed into the shadows with unfortunate long-lasting consequences." 13 pages.

Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger

Habsburg's Last War: The Filmic Memory (1918 to the Present)

A divergent survey of scholarship on World War I cinema produced in succession countries of the Habsburg Empire. This untapped body of film records a contentious phase in world history, from the perspective of an often misunderstood, yet pivotal, region. The volume gathers scholarly essays exploring the intersections between the political, historical, and aesthetic, as expressed in the region’s various “moving pictures,” with sustained attention to the relationship between artistic representation and collective memory.

Introduction To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger

Habsburg's Last War: The Filmic Memory (1918 to the Present)

No abstract provided.

Preface To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Günther Bischof

Habsburg's Last War: The Filmic Memory (1918 to the Present)

No abstract provided.

The Fall Of The Austro-Hungarian Monarchy In Serbian Films, Aleksandar Erdeljanović

Habsburg's Last War: The Filmic Memory (1918 to the Present)

No abstract provided.

Habsburg’S Last War In Austrian Films, 1918 To The Present, Hannes Leidinger

Habsburg's Last War: The Filmic Memory (1918 to the Present)

No abstract provided.