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Articles 1 - 26 of 26
Full-Text Articles in History
Armored Feelings: Romantic Love, Sexual Consent, And Gender-Based Violence In French First World War Narratives (1914–1956), Angélique Ibáñez Aristondo
Armored Feelings: Romantic Love, Sexual Consent, And Gender-Based Violence In French First World War Narratives (1914–1956), Angélique Ibáñez Aristondo
Dissertations, Theses, and Capstone Projects
Armored Feelings examines how the First World War reconfigured how the French thought and wrote about romantic love, sexual consent, and gender-based violence. It posits this devastating event as a critical juncture during which the misogynistic and racist notion of amour à la Française took its modern shape as a rhetoric buttressing the nation’s brittle sense of cultural superiority while obscuring diverse forms of gendered aggression – especially those perpetrated by its citizens against women. This dissertation also establishes that the notion of women’s sexual consent coalesced during the period under examination as a troubled and troubling response to the …
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
When Saeed Betrays Fuad: Laughing At The Mechanized Occupation, Ezgi Demirors
When Saeed Betrays Fuad: Laughing At The Mechanized Occupation, Ezgi Demirors
Dissertations, Theses, and Capstone Projects
This thesis comparatively explores the emergence of the comic in the novel The Secret Life of Saeed The Pessoptimist by Emile Habibi and the film The Time That Remains directed by Elia Suleiman, by building on Bergson’s theory of mechanization. By tracing Bergson’s idea that comic effect is created through the creeping up of the mechanical on the living, the establishment of the “mechanical occupation” as a source of the comic will be elucidated. The comic will be explored in terms of the ways in which both texts offer a new historicizing operation, being works that focus on the narration …
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
Dissertations, Theses, and Capstone Projects
Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Dissertations, Theses, and Capstone Projects
This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …
“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar
“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar
Dissertations, Theses, and Capstone Projects
This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …
Fuitina: Love, Sex, And Rape In Modern Italy, 1945–Present, Antonella Vitale
Fuitina: Love, Sex, And Rape In Modern Italy, 1945–Present, Antonella Vitale
Dissertations, Theses, and Capstone Projects
The term fuitina in Sicilian dialect is a word used to describe a form of abduction, and is a variation of the more formal Italian term fuga, meaning a flight or escape. Fuitina, was essentially a sanctioned bride theft. Often, after the abduction of a woman, the abductor would seek a reparatory or rehabilitating marriage that would restore the woman’s “honor” and absolve the man of bride theft. Until 1981, the Italian legal system supported the practice of fuitina and rarely prosecuted men who kidnapped and raped women under the guise of this tradition. The practice of fuitina and …
Original Gangsters: Genre, Crime, And The Violences Of Settler Democracy, Sean M. Kennedy
Original Gangsters: Genre, Crime, And The Violences Of Settler Democracy, Sean M. Kennedy
Dissertations, Theses, and Capstone Projects
Building upon examinations of genericity, subalternity, and carcerality by Black, Indigenous, and women-of-color feminist scholars, my dissertation offers an account of how truth claims are produced and sustained to limit social change in representatively governed societies. Taking the gangster genre as my lens, I first resituate the form, assumed to depict white-ethnic conflict in the U.S. and Europe, as a type of resistance to race-based political economic policies imposed by imperial regimes. After linking the subaltern classes of pre-20th-century southern Europe, southern Africa, South Asia, and the U.S. South—all subjected to criminalization as a mode of colonial and capitalist control—I …
Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton
Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton
Dissertations, Theses, and Capstone Projects
This dissertation examines the matter of authenticity with respect to audio recordings. In the early 1990s, the term “lo-fi” (“low-fidelity”) emerged as a label used to categorize many different types of popular music, indicating widespread fascination with what I call audio quality, the perceived character of an audio recording. I define audio quality as the relationship between content and mediation, which varies greatly by circumstance. My archival research of zines, press releases, and correspondence examines this relationship in three case studies: Wu-Tang Clan, Bratmobile, and Elliott Smith. I posit the lo-fi format as a critical structure that emerged in …
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Dissertations, Theses, and Capstone Projects
This thesis will argue that New Deal legislation accounted for increased importance placed on consumers and the articulation of consumer citizenship as female during the Great Depression. Once New Deal programs and legislation determined and legitimized the consumer citizen, the consumer citizen exercised influence though purchasing power. Analyzing the ways the federal government defined women as consumer citizens through programs like the National Recovery Administration’s Blue Eagle Campaign offers important insight into who was considered to have a voice. Notions of citizenship define groups by who has the necessary attributes and qualifications—in this case the means to purchase goods—to be …
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Dissertations, Theses, and Capstone Projects
The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …
The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips
The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips
Dissertations, Theses, and Capstone Projects
This thesis will identify an over looked subset of racial identity as seen through film narratives from the 1930’s through the 1950’s pre-Civil Rights era. The subcategory of racial identity is the necessity of passing for Black people then identified as Negro. The primary film narratives include Veiled Aristocrats (1932), Lost Boundaries (1949), Pinky (1949) and Imitation of Life (1934). These images will deploy the troupe of passing as a racialized historical image. These films depict the pain and anguish Passers endured while escaping their racial identity. Through these stories we identify, sympathize and understand the needs of Black …
İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem
İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem
Dissertations, Theses, and Capstone Projects
In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Art And War: Republican Propaganda Of The Spanish Civil War, Jason Manrique
Art And War: Republican Propaganda Of The Spanish Civil War, Jason Manrique
Dissertations, Theses, and Capstone Projects
This thesis focuses on propaganda used by the Republican side of the Spanish Civil War (1936-1939) to gain support for their cause and win the war. It focuses on three forms of media: cinema, posters and photography, and it is divided into an introduction, three separate chapters, and a conclusion. In them I provide a historical context on the II Republic and the Civil War and analyze the effectiveness of concrete artworks to propagate the Republican message.
Rituals Of Remaindered Life In The Films Of Kidlat Tahimik, Alison R. Boldero
Rituals Of Remaindered Life In The Films Of Kidlat Tahimik, Alison R. Boldero
Dissertations, Theses, and Capstone Projects
Kidlat Tahimik, who achieved international renown during the Marcos regime for his film Perfumed Nightmare (Mababangong Bangungot, 1976), is relatively unknown outside of international film circles. Considered a pioneer of Third Cinema in the Philippines, a radical film movement from Latin America that has since inspired similar movements globally, Tahimik challenged cultural hegemony in a postcolonial, post-World War II Philippines through the production of imperfect films. This paper looks to three of Tahimik's films - Perfumed Nightmare, Turumba (1983), and Why is Yellow the Middle of the Rainbow? (Bakit Dilaw Ang Kulay ng Bahaghari, 1994) …
How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal
How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal
Dissertations, Theses, and Capstone Projects
Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …
Butch Between The Wars: A Pre-History Of Butch Style In Twentieth-Century Literature, Music, And Film, Karen Allison Hammer
Butch Between The Wars: A Pre-History Of Butch Style In Twentieth-Century Literature, Music, And Film, Karen Allison Hammer
Dissertations, Theses, and Capstone Projects
Butch Between the Wars is a pre-history of “butch,” a twentieth-century masculine style that became an identity category for lesbians in the 1940s and ’50s. Between the two world wars and in the early postwar period, women used the energy of butch to create literature, music, and character on film. Butch-styled artists expressed a muscular orientation to the world, one with close associations to lower and working class black and white masculinities. Those who were recognizably lesbian and those with less clearly defined sexualities challenged the idea that strength, authority, and independence are qualities “naturally” bound to the male body. …
The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel
The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel
Dissertations, Theses, and Capstone Projects
Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …
Spectral Bodies: Women's Resistance Across Time In North America, Whitney C. Evanson
Spectral Bodies: Women's Resistance Across Time In North America, Whitney C. Evanson
Dissertations, Theses, and Capstone Projects
This project contrasts the lived experiences of feminists within the EZLN in Mexico with the historical persecution of community outsiders during the Salem witch trials. I want to explore the differences between a radical political and social movement (the EZLN), and the radical shift in history in which women were accused of witchcraft based on hysteria and rumors. There are parallels between the witch trials and the causes of the Zapatista movement in the ways that women's bodies were treated--their political usefulness to create fear and obedience from citizens by murdering them for their defiance, burying them in shallow graves. …
The Fantastic Manifesto: Monstrosity Of Memory And Epiphany Of Selfhood In The Spirit Of The Beehive (1973), Layla Blodgett Carrillo
The Fantastic Manifesto: Monstrosity Of Memory And Epiphany Of Selfhood In The Spirit Of The Beehive (1973), Layla Blodgett Carrillo
Dissertations, Theses, and Capstone Projects
The Spanish culture of storytelling suffered under the nearly forty-year dictatorship of Francisco Franco. The government-regulated cinema welcomed propaganda and melodrama, and denied the fantastic, the legendary, and the magical. These carefully manipulated histories, which served to romanticize the ideologies of the regime, also served to eulogize the delinquent and the depraved. In the early 1970s, at the heels of the collapse of Franco’s reign, the people of Spain bore witness to a new national cinema. The Spirit of the Beehive (1973), the feature debut from Victor Erice, exists at the threshold between a storied history of Spanish dictatorship and …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …
Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh
Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh
Dissertations, Theses, and Capstone Projects
Asian Americans, having been degraded in the realm of popular media and neglected in the consumer market, have been unable to obtain a voice or leave a trace in American pop culture. The meager representation that Asian Americans rarely have is highly controlled through a distorted lens, inclined to paint them in a grotesquely exaggerated light for comic relief. The absence of Asian Americans in the media has compelled the Asian American youth to adapt the personas of different cultures in their desires for social and cultural mobility. These factors have given birth to a hybrid persona among Asian Native …
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
Dissertations, Theses, and Capstone Projects
“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …
Comparing Hitler And Stalin: Certain Cultural Considerations, Phillip W. Weiss
Comparing Hitler And Stalin: Certain Cultural Considerations, Phillip W. Weiss
Dissertations, Theses, and Capstone Projects
There is a great temptation to compare the Adolf Hitler and Joseph Stalin. This is true for two reasons: first, the careers of both men converged at the same point in history, thus doubling the impact both made and second, because the names Adolf Hitler and Joseph Stalin have become metaphors for ideologies and crimes that today are reviled. The question then arises: who was worse, Hitler or Stalin? This project shows that there is no viable, credible, definitive, or final answer to this question, and that prevailing attitudes about Hitler and Stalin have become so ingrained in contemporary society …
"The Last Of The Great Bohemians": Film Poetry, Myth, And Sexuality In Greenwich Village And The Atlantic, 1930-1975, Thomas Winfield Hafer
"The Last Of The Great Bohemians": Film Poetry, Myth, And Sexuality In Greenwich Village And The Atlantic, 1930-1975, Thomas Winfield Hafer
Dissertations, Theses, and Capstone Projects
In Greenwich Village, a final generation of bohemians contested the rise and trajectory of gay liberation. During the 1930s, this generation blended modernist poetry and sexuality to develop a new manifestation of bohemia. In the postwar period, they transformed modern poetry into the new artistic medium of film that was critical to shaping postwar American art and culture. This wave of bohemia was built on certain modernist principles, including a universalist understanding of sexuality and identity that was different from, and incompatible with, the growth of identity politics in the 1960s. This dissertation argues that this was a last gasp …