History Commons^™

Memory Vague: A History Of City Pop, Jeffrey Salazar

Masters Theses

This thesis gives a definition and chronology of city pop and places it within the context of Japanese history. City pop can be traced from the 1960s folk movement in Japan until its demise in the early 1990s, coinciding with the end of the bubble economy. This thesis also examines the mid-2010s resurgence of interest in city pop among English-speaking internet users, beginning with a nostalgic rediscovery and curation of city pop around the turn of the century by DJs in Japan known as “crate diggers.” City pop was then transmitted to the West through sampling in hip-hop and especially …

Die Bedeutung Der Defa Film Library Im Ostdeutschen Erinnerungsdiskurs, Konstanze Schiller

Masters Theses

The relation between memory and identity is significant, particularly if an identity-establishing entity such as a state has vanished. In the context of GDR memory, this pertains to the type of memory discourse: what is remembered, how, and by whom? What are the differences in the discourse about East German memory between the US and Germany?

Based on approaches of the Aleida Assmann’s approaches to individual, collective, and cultural memory this thesis seeks to examine the notion and impact of archives in collective memory processes and to analyze the extent to which the medium of film as a concrete and …

La Imposible Serenidad De Michi Panero. Una Historia Y Análisis De El Desencanto, Documental Creativo En El Tiempo De La Transición, Albert Asuncion Benedito

Masters Theses

El Desencanto es una pelicula de tipo documental creativo dirigida por Jaime Chavarri en 1976 que retrata a la familia Panero. Por su tematica y estetica contrasta con la ideologia franquista, y fue leida como un simbolo de su tiempo. A traves del analisis de sus personajes y distintas obras de ese periodo historico, este trabajo trata de analizar este componente simbolico y ofrece una lectura politica de la obra.