Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Comparative cultural studies (3)
- Diasporic, exile, (im)migrant, and ethnic minority writing (3)
- Film and literature (3)
- Gender studies (3)
- Intercultural studies (3)
-
- Postcolonial and colonial studies (3)
- comparative cultural studies (3)
- diasporic, exile, (im)migrant, and ethnic minority writing (3)
- film and literature (3)
- gender studies (3)
- intercultural studies (3)
- postcolonial and colonial studies (3)
- Colonialism (2)
- Comparative humanities (2)
- Comparative literature (2)
- Comparison of marginalities and culture (2)
- Comparison of primary texts across languages and cultures (2)
- Cultural Belonging (2)
- Cultural Recognition (2)
- Cultural studies (2)
- Culture and history (2)
- Culture and sociology (2)
- Diversity (2)
- Education, culture, and literature (2)
- Ethnicity (2)
- Feminist studies (2)
- France (2)
- Generation gap (2)
- Globalization (2)
- Hybridity (2)
Articles 1 - 9 of 9
Full-Text Articles in History
Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann
Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann
Artl@s Bulletin
Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.
Α “Guarantee Of Clustered Energy And Collective Promotion”: The Association Of Greek Women Artists And Its Exhibitions In The 50s And 60s, Glafki Gotsi
Artl@s Bulletin
Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Greek public, confronting the problems of women artists through collective action, and encouraging the presentation of Greek art on the international scene. In the 1950s and 1960s it organized a significant number of group exhibitions in Greece as well as abroad, where its members showed their work. This paper examines the context of the association’s all-women shows and their meaning in relation to feminist cultural politics inside but also beyond national borders. More specifically, it analyzes the circumstances under which the collectivity was …
L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi
L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi
Artl@s Bulletin
Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage che concorsero …
Autour De Frances Benjamin Johnston, Gertrude Käsebier Et Catharine Weed Barnes Ward: Stratégies Séparatistes Dans L’Exposition Des Femmes Photographes Américaines Au Tournant Des Xixe Et Xxe Siècles, Thomas Galifot
Artl@s Bulletin
Cette étude inclut une nouvelle analyse de l’exposition des photographes américaines conçue par Frances Benjamin Johnston à l’occasion de l’Exposition universelle de Paris de 1900. Dans une mise en perspective inédite, l’événement est également replacé dans un contexte américain élargi, riche en initiatives et en débats aussi fondateurs que méconnus. Cette enquête, qui donne lieu au premier panorama des expositions collectives de photographes américaines jusqu’en 1914, aboutit à une nécessaire remise à l'honneur de Catharine Weed Barnes Ward et de Gertrude Käsebier, personnalités dont le rôle central sur ces questions est largement mésestimé.
The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin
The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin
CLCWeb: Comparative Literature and Culture
In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …
The Loving Analogy: Race And The Early Same-Sex Marriage Debate, Samuel W D Walburn
The Loving Analogy: Race And The Early Same-Sex Marriage Debate, Samuel W D Walburn
The Purdue Historian
In the early same-sex marriage debates advocates and opponents of marriage equality often relied upon comparing mixed-race marriage jurisprudence and the Loving v Virginia decision in order to conceptualize same-sex marriage cases. Liberal commentators relied upon the analogy between the Loving decision in order to carve out space for the protection of same-sex marriage rights. Conservative scholars, however, denounced the equal protection and due process claims that relied on the sameness of race and sexuality as inexact parallels. Finally, queer and black radicals called the goal of marriage equality into question by highlighting the white supremacist and heterosexist nature of …
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
The Purdue Historian
This paper examines the work of Paul Cadmus from 1930 to 1948. Over the span of nearly three decades, Cadmus's art evolved from covert depictions of queer culture to an explicit depiction of the politics of queerness in immediate postwar America. Cadmus’s legacy is unique because his art documents the shifting conceptualizations of gender and sexuality in the first half of the twentieth century. He is also notable because he so masterfully maneuvered the liminal space between private and public, painting subversive images immersed in covert queerness early in his career and later using queer art as a tool of …
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.