History Commons^™

An Examination Of Women’S Rights In South Korea: From “New Women” To Female Idols, Cece Trifoso

History | Senior Theses

Between 2000 and 2022, South Korean popular music and the accompanying entertainment industry contributed to a unique solidarity among young Korean women, whilst also perpetuating harmful stereotypes. The widespread popularity of all-girl music groups from Korea has motivated women around the world, including in Korea itself, to stand on their own and establish recognition without the influence of men. This relatively new era in Korean feminist thought requires historical contextualization in order to fully appreciate and comprehend its impact on a globalized society. The evolution of feminist thought in South Korea encompasses the accumulation of knowledge from various conversations on …

The Nana Yaa Asantewaa War: Analysis Of The Political Institutions Of The Asante During The War Of The Golden Stool And The Existing Narratives, Angela Danso Gyane

Senior Independent Study Theses

The War of the Golden Stool was the last in the Anglo-Asante Wars, where the Asante fought against the British colonial agenda. According to the Asante oral history, Nana Yaa Asantewaa was at the forefront of this war. She was the commander, but most of the literature to not reflect this oral history. Therefore, this study seeks to address two essential questions: how did gender dynamics in the Asante Kingdom's political system shape their Resistance against the British in 1900- 01? Moreover, how does the analysis of oral histories from the matrilineal culture of the Asante decenter Western narratives of …

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

The Heart Of K'E: Transforming Dine Special Education And Unsettling The Colonial Logics Of Disability, Sandra Yellowhorse

American Studies ETDs

This paper takes up the roles of ideology and spatiality as they impact Diné students and learners in understanding conceptions of normativity, neuro-diversity and bodily variance. I am concerned with how the movement and creation of Indigenous schools and their praxis still maintain and often times produce settler colonial ideologies of being, personhood, difference and ability. I illustrate the challenges that Diné planners and educators face in entrenching cultural knowledge and language into their educational initiatives, while some of the problematic manifestations and expressions of normativity present themselves through state polices, federal law and mainstream curriculum.

I focus on the …

A Divine Inequality: Contextualizing Gender And Authority In Contemporary Mormon Feminism, Taylee Robinson Pardi

Cultural Studies Capstone Papers

This project traces the decline of authority for Mormon women coupled with the rise of defined gender roles within the Church of Jesus Christ of Latter Day Saints in order to contextualize contemporary Mormon feminism. Using a radical feminist analysis, this project will explore how contemporary Mormon women relate to their early Mormon sisters and the ways in which the culture and doctrine of Mormonism often converge, lending itself to a unique feminist perspective. This project argues that the Church of Jesus Christ of Latter Day Saints, as currently practiced, is not just inherently patriarchal, but un-egalitarian, and that contemporary …