History Commons^™

The Fight Over Ideology: The Soviet Subversion Of Hungarian Culture In The Cold War Era, Mackenzie Vandixhorn

Senior Honors Theses

In the aftermath of Nazi Occupation during World War II, Hungarians were unable to escape the clutches of dictatorial government. The Soviet Union ousted the Nazis only to assert its own control in the years following the war. To sustain its subjugation of Hungary, the USSR needed Hungarians to accept communism. The Hungarian Revolt of 1956, however, revealed Hungary’s deep resentment for Soviet rule. To sway public opinion in favor of Soviet ideology, the USSR relied on propaganda, including statues, that sought to display the USSR in a positive light during the years 1945 to 1960. However, these attempts to …

Women In Early Soviet Propaganda, Rowan Morrison

History & Classics Student Scholarship

Major: History

Heroes, Victims, And Future Citizens: Representations Of French Children During World War I, Megan R. Outtrim

Swarthmore Undergraduate History Journal

The effects of total war society in France during WWI dramatically altered the daily lives of both adults and children, witnessing increasing levels of patriotic rhetoric, wartime propaganda, and anti-German sentiment. Children were often made the focal point of this propaganda, as they represented the future of the nation. As such, three specific representations of children emerge from WWI propaganda in France: the heroic child, the victimized child, and the malleable future citizen. Some of these representations were depicted in propaganda meant for children specifically, while others were depicted in propaganda meant to mobilize adults in the name of children. …

Terrortimes, Terrorscapes: Continuities Of Space, Time, And Memory In Twentieth-Century War And Genocide, Volker Benkert, Michael Mayer

Purdue University Press Books

Terrortimes, Terrorscapes: Continuities of Space, Time, and Memory in Twentieth-Century War and Genocide investigates interconnections between space and violence throughout the twentieth century, and how such connections informed collective memory. The interdisciplinary volume shows how entangled notions of time and space amplified by memory narratives led to continuities of violence across different conflicts creating “terrortimes” and “terrorscapes” in their wake. The volume examines such continuities of violence with the help of an analytical framework built around different themes. Its first part, spatial and temporal continuities of violence, looks at contested spaces and ideas of national, ethnic, or religious homogeneity that …

The Marriage Between Art And Politics: Propaganda, Rebecca J. Counen

The Purdue Historian

During the first half of the twentieth century Europe, Asia, and the United States faced many political/social changes and challenges amid both ideological wars and revolutions. This research paper works to analyze films from this era in order to convey the somewhat unorthodox, yet nonetheless influential and compelling, relationship between the arts and politics and how creativity is oftentimes manipulated for power and influence.

Russia's Agenda For Ukraine: An Examination Of Putin's Media Propaganda Narratives, Gillian Grace Littleton

Honors Theses

This thesis explores Russian discourse about Ukraine as reflected in Russian popular media since 2014’s Euromaidan Revolution. The thesis provides an overview of Russia’s historic denial of Ukrainian statehood and it argues: Russian historians and politicians have seen Ukraine as a “little-brother” nation to Russia, with a shared Slavic heritage, and that any attempts by Ukrainians to separate themselves from Russia are Western influence movements. The thesis examines three types of mass media in order to demonstrate the interaction between history, politics and popular culture. Chapter 1 explores the public speeches of key Russian political figures including Vladimir Putin himself, …

From The Stars To The Headlines: The Propaganda Of Yuri Gagarin, Peyton Edelbrock

The Purdue Historian

There were no haphazard decisions made by the Soviet Union when it came to choosing the first man to be sent to space. Months of training, careful planning, and well-hidden secrets eventually led to the decision of Yuri Gagarin. This led to the mass production of propaganda to spread, from Yuri Gagarin touring around the world to music being written about him, all centered around his trip to space and Soviet excellency. This propaganda still stands today in Russia, and its God-like idolization of cosmonauts is forever present.

Keep Calm And Carry On: Uncovering The True Blitz Spirit, Lauren Niedergeses

Honors Theses

First shown by Britain’s civilian population during the Blitz, this Blitz Spirit is widely understood today as a heroic display of courage, cheerfulness, unity, and the ability to “keep calm and carry on” in the face of danger and discomfort. Drawing from radio broadcasts, photographs, propaganda posters and films, and the wartime morale reports of Mass-Observation, I seek to uncover the true Blitz Spirit and how it became an integral – if somewhat mythicized – element of Britain’s modern identity. First, I explore the emergence of the Blitz Spirit during World War II, identifying gaps between reality and propagandistic myth. …

Nazi Propaganda Collection (2020.01), Robyn Conroy

Strassler Center Archival Collection Finding Aids

This collection contains images, newspapers and magazines related to the Nazi Party's control of Germany.

Barry Hoffman Nazi Postcard Collection, Robyn Conroy, Lamisa Muksitu

Strassler Center Archival Collection Finding Aids

This collection is comprised of postcards that are connected to the Nazi Party in Germany. The Nazi Party, officially the National Socialist German Workers' Party (German: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP), was a political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party (Deutsche Arbeiterpartei; DAP), existed from 1919 to 1920. The Nazi Party emerged from the extremist German nationalist, racist and populist Freikorps paramilitary culture, which fought against the communist uprisings in post–World War I Germany. The party was …

Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin

Senior Projects Spring 2022

Les six continents series stands as remnants of the 1878 Exposition Universelle and as a visual marker of the cultural, social, and economic culture of the time period. The series, serving as public art, continues to inform and participate in its environment and space, as it is on display by the entrance of the Musée d’Orsay today. Personified representations of Europe, Asia, Africa, North America, South America, and Oceania as allegorical female figures, the series offers insight into the colonial world where it emerged, and how its impact has visually been ingrained in contemporary society. By using these six statues …

A Prosaic People? Literature, Propaganda, And National Identity In Second World War Britain, William L. Maines

Honors Theses

During the early years of the Second World War, a typically unofficial and loose coalition of British newspapers, publishers, propagandists, and booksellers mobilized Britain’s imagined literary past and present as a part of the war effort. They defined the nation through its imagined literary proclivities— its penchant for literary production and consumption, and its “unique” attitude toward literary freedom— and in opposition to the literary tyranny of Nazi Germany. Marshaling the nation’s mythological literary heritage, they enlisted Shakespeare and Milton in the war effort, portraying them as temperate and civilian English heroes. While the rhetoric of “British bookishness” hardly went …

Partizan: Separating The Human From Propaganda With Film, Raymond Hill

University Honors Theses

The relative protection Americans have for freedom of expression can allow stories to be told that would not be able to be told elsewhere. However, telling a story that does not belong to the storyteller and represents people of a different culture or nation can problematize the retelling of events and its perspective. The long-standing rivalry between United States and Russia complicates the matter further, making it difficult to find American film relating to Russia without the inclusion of propaganda and uneducated assumptions in film. Despite these issues, authentic storytelling can provide an informative view of events that the average …

Die Kunst Des Betrugs: An Analysis Of National Socialist Propaganda, Nicholas Strasser

Masters Theses, 2020-current

Modern propaganda is often associated with oppressive authoritarian regimes in the 20^th century. This project seeks to compare Nazi propaganda in the years leading up to 1933 with propaganda following the Nazi ascension to power but before the drive to war. These differences were significant and meaningful enough to warrant closer examination. This comparison seeks to determine how the Nazis altered their propaganda once they ascended to power in 1933, specifically analyzing what the Nazis emphasized and retained from before 1933 once they no longer had to compete with other parties but instead had to consolidate power. For the …

Art And War: Republican Propaganda Of The Spanish Civil War, Jason Manrique

Dissertations, Theses, and Capstone Projects

This thesis focuses on propaganda used by the Republican side of the Spanish Civil War (1936-1939) to gain support for their cause and win the war. It focuses on three forms of media: cinema, posters and photography, and it is divided into an introduction, three separate chapters, and a conclusion. In them I provide a historical context on the II Republic and the Civil War and analyze the effectiveness of concrete artworks to propagate the Republican message.

"Ein Pakt Mit Dem Teufel": Leni Riefenstahl, Triumph Of The Will, And The Nature Of Guilt, Andrew O. Burns

Student Publications

Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the world of cinema and propaganda. However, this achievement was undertaken at the behest of the immoral, murderous regime of Nazi Germany, a regime that Riefenstahl was more than willing to work with and glorify in order to further her career. This thesis will argue that Riefenstahl’s onscreen deification of Hitler, visual representation of völkisch ideology, and use of the music of Richard Wagner make her later claims of ignorance as to the film’s ultimate meaning impossible to correlate with established facts.

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

“Kinder, Küche, Und Kirche”: Women’S Work In The Third Reich, Margarete Crelling

History Undergraduate Theses

Under dictator Adolph Hitler, Germany was transformed into a totalitarian state. When World War II was declared on September 1, 1939, it was clear that the world would never be the same. The Nazi Party controlled nearly every aspect of German society with an iron fist, including religion, education, culture, and the role of women and family. Today, conversations and research about the Nazi regime during World War II often focus on the horrors of the Holocaust and its male perpetrators—Adolf Hitler, his officers, and troops. The important role women played in Germany during World War II is often overlooked …

A Brush With Weimar Germany.Docx, Rowan Cahill

Rowan Cahill

Hard Times; Hard Duties; Hard Hearts; The Volksgemeinschaft As An Indicator Of Identity Shift, Kaitlin Hampshire

Masters Theses, 2010-2019

How can one nation define an ideal community? The Reich’s Propaganda Ministry of Nazi Germany knew. No cultivation of community, or Volksgemeinschaft in the case of Nazi Germany, is complete without the use of propaganda. Nazi propaganda posters played several different roles in the formation of the community, such as maintaining the military, as well as labor forces not in the military, perpetuating anti-Soviet and anti-Jew feelings, creating the Führer myth, and gaining the support of Germany’s youth. All of the messages displayed in the posters identified the values of the members of the ‘National Community’ or Volksgemeinschaft.

Propaganda posters …

The History Of The Cleveland Nazis: 1933 - 1945, Michael Cikraji

MSL Academic Endeavors eBooks

During Cleveland’s Great Depression grew the first seeds of American Nazism. The city fostered an explicitly Nazi German-American Bund, a covert Silvershirt Legion detachment and prominent diplomatic agents from the Third Reich. Festooned with photos and meticulously documented, this book examines the timeless questions of American allegiance, the responsibilities of democratic governance, the security threats of “Un-American” activities, and the passions, motivations and dreams of American immigrants. In the most unlikely of places, here is a case-study true story of the fascinating, bewildering and terrifying rise of American Nazism.

The Model Of Masculinity: Youth, Gender, And Education In Fascist Italy, 1922-1939, Jennifer L. Nehrt

Senior Honors Projects, 2010-2019

Youth and masculinity are keys to understanding Italian Fascist culture. The Fascost regime used educational institutions to enforce binary gender roles to encourage boys grow into heroic soldiers and girls to become dutiful wives. However, by the mid-1930s, their was a frustrated awareness among the youth that the regime had not fulfilled its promise to deliver Italy to glory. Young citizens were denied a voice in the government and they became disillusioned with Fascism.

The Knights Of The Front: Medieval History’S Influence On Great War Propaganda, Haley E. Claxton

Crossing Borders: A Multidisciplinary Journal of Undergraduate Scholarship

Spanning a number of academic areas, “Knights of the Front: Medieval History’s Influence on Great War Propaganda” focuses on the emergence of medieval imagery in the First World War propaganda. Examining several specific uses of medieval symbolism in propaganda posters from both Central and Allied powers, the article provides insight into the narrative of war, both politically and culturally constructed. The paper begins with an overview of the psychology behind visual persuasion and the history behind Europe’s cultural affinity for “chivalry,” then continues into specific case studies of period propaganda posters that hold not only themes of military glory and …

New World Propaganda: Pigafetta's Journal, World Maps, And New European Ideologies, 1525-1556, Megan Sympson

HIST 4800 Early America in the Atlantic World (Herndon)

Once Europeans discovered the New World, cartographers of the time began to map the Americas based on either their own experiences or accounts of others who visited the new land. These maps did not simply serve as navigational tools, but also were used as decorative objects containing elements of propaganda intended to shape opinions of the New World in the Old. In this paper, I examine Antonio Pigafetta’s journal, documenting the voyage of Magellen in 1519-22, and the world maps created after his journal was published. Six world maps by Diogo Ribeiro, Jean Rotz, Guillaume Brouscon, Sebastian Cabot, Pierre Desceliers, …

“Long Live Freedom!”: Moral Motives Behind The White Rose Resistance, Katelyn M. Quirin

Student Publications

This paper examines the motives behind the White Rose resistance group. Active from 1942-1943, the White Rose consisted primarily of university students who produced anti-Nazi leaflets. By examining documents such as letters, diaries, the leaflets themselves, and Gestapo interrogations, the motives of the group are evident. The members resisted the Nazi regime for moral and ideological reasons, specifically in relation to the failures World War II, atrocities committed by Nazis in Poland and the Eastern Front, the restriction on personal rights, and an inner duty to oppose the regime.

The Russian Gulag: Understanding The Dangers Of Marxism Combined With Totalitarianism, Mark C. Riley

Senior Honors Theses

This study examines the Soviet Gulag, the main prison camp administration implemented in the Soviet Union. The GULAG represents an institution that is not well known, and this paper will explain why it existed and why it remains in the shadows of history. Terror, propaganda, and belief in progress represent the three ideas that directed the Soviet totalitarian system. This thesis will accordingly explore the ideology behind totalitarian government and Marxist practice in order to understand why the Gulag was allowed to exist. Finally, it investigates the reasons why the Gulag has not taken a priority position in human knowledge …

Gen Ms 27 Early 20th-Century German Print Collection Finding Aid, Julie Cismoski, Kristin D. Morris

Search the General Manuscript Collection Finding Aids

Description:

Printed materials acquired by the donor's father while serving in West Germany during the Cold War. The Collection contains 37 items, books and ephemeral material. Materials deal with German history from the beginning of World War I to the end of World War II. Dates span 1914 to 1983, with the bulk evenly spread between the periods of 1915-1923 and 1934-1942. The collection includes propaganda, war humor, poems, songs, and a film promotional leaflet; stories from German prisoners of war during WWI; and materials related to revolution (following World War I). The two issues of Stern magazine were published …

Rhetorics Of Empire: The Falangist Discourse Of War (1939-1943), M. Elena Aldea Agudo

Theses and Dissertations--Hispanic Studies

During the Spanish Civil War (1936-1939) a mix of right-wing ideologies existed among the Francoist forces. In sharp contrast with the Republican forces, the Francoist insurgents were successful in banding together despite their ideological differences. However, in the postwar era, this relative unity gave way to a struggle among the different ideological positions, each striving to impose its agenda for the new State. The party Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional Sindicalista (FET y de las JONS) assumed power, but was not entirely successful in advancing its totalitarian project, which it had inherited from the prewar …

Promoting Unity Through Propaganda: How The British Government Utilized Posters During The Second World War, Elizabeth Tate Goins

Mahurin Honors College Capstone Experience/Thesis Projects

Comprised of four separate countries, the United Kingdom is a state unlike any other. England, Scotland, Wales and Northern Ireland all have distinct identities, which has been a cause for discord throughout British history. However, during the Second World War the Ministry of Information, under the guidance of the Conservative government and Prime Minister Winston Churchill, launched a poster-based propaganda campaign aimed towards unifying the UK under a common national self-identity. By emphasizing shared qualities such as resilience, pragmatism, humor, patriotism and even the concept of unity itself, the Ministry of Information fostered a sense of national self-identity with the …

Propaganda And The 21st Century Student, Miguel Martinez-Saenz , Provost, Academic Affairs, Tammy M. Proctor

Administrators/Executives/Staff Scholarship

This short piece provides a way of thinking about the Enlightenment’s legacy and the strength of modern propaganda in order to enable world history teachers to use these themes in their classes, both for teaching history and for helping students to reflect on their own lives. The authors provide background on the ideas of 1930s critical theorists and their impact on the interwar period, then suggest practical ways that world history instructors (in high schools and universities) can use these insights in developing lectures, lesson plans, and assignments for their classrooms.