History Commons^™

Uncovering Emotional Contamination: Five Sites Of Trauma, Abigail Zola

Masters Theses

“Emotional contamination,” describes residual feelings associated with a space where a negative or tragic event occurred to an individual or group either personally, historically, or politically. Emotional contamination affects people’s associations with place and informs their willingness to spend time in them. This project considers a set of design principles rooted in uncovering and acknowledging the lifespan of a site, and considers how this acknowledgment can exist as an urban system rather than an individual architectural artifact. My thesis work analyzes five case studies in Berlin where political and economic factors determined the result of intervention, and how these sites …

Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer

Honors Projects

Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Continuous Extremes: Architecture Of Uncertainty In Poland, 1945—, Cayce Davis

Masters of Environmental Design Theses

In this thesis, architecture situates between extremes. The dichotomies of destruction and construction, mobility and fixity, performance and reality, inside and outside, and form and time frame architecture and the processes through which it is made. The context is Poland in the fallout of the year 1945, when Warsaw’s unique, nearly total destruction and the ascendance of a new communist regime raised the political stakes of architecture. The thesis focuses on a cast of characters in architecture and related artistic disciplines—individuals haunted by the traumas of their own pasts, negotiating a Polish state that created oppressive limitations through artistic mandates …

Germania: The Nazi Party And The Third Reich Through The Lens Of Classical Architecture, Maggie L. Smith

Honors Theses

This thesis examines the influence of classical architectural styles and principles on architectural projects in Germany during the Third Reich. My research focuses on major projects completed by the state and does not delve into private buildings or other structures. All of the data was gathered from scholarly publications of repute and photographs to determine how Adolf Hitler’s regime utilized Greek and Roman stylistic elements in an attempt to revive the power and culture of Germany during a time of strife, as well as how Nazi architecture reflected Hitler’s personal ambition as dictator. Additionally, the thesis doubles as an expansion …

Moorish Revival Synagogue Architecture: Community And Style, Past And Present, Emily S. Jelen

Binghamton University Undergraduate Journal

The Moorish architectural style, originating in medieval Spain, was revived in the mid-nineteenth century. It became strongly linked with synagogues, first in Germany and then throughout the Western world. My research analyzes why the architects and Jewish communities were so attracted to the Moorish Revival style. During this period, European Jewish communities were tasked with constructing synagogues that could showcase their newfound freedoms as well as their history, culture and aspirations. Many argue that this style was chosen to demonstrate the connection between the communities and their ancient Middle Eastern history.

Die Ästhetik Des Dritten Reiches, Aidan Turek

Senior Theses and Projects

The specter of fascism haunts democracies the world over, leading to valuable new research into the criminal fascistic regimes of the past, most notably Germany’s experience with Nazism. However, scholarship regarding the Third Reich often tends towards institutional and biographical portraits, leaving underexamined the deep connection between Nazism and the arts. Architecture was at the heart of the Third Reich’s cultural Weltanschauung and serves not only to inform us of the social mores affecting and informing leaders of the time, but also as a masterful depiction of how space can be manipulated towards ideological ends. By working through the built …

Freemasons: Patrons Of The Enlightenment Arts, Jacob Money

Honors Projects

The Enlightenment is known as a time of great advances in science, political theory and individual rights. What is often not given proper consideration are the advances made in the fine arts. Out of this time period came the Hudson River Valley School of painting, a return to Greco-Roman architecture, and the explosion in popularity of the performing arts. In each of these cases, the historically secretive organization known as the Freemasons had a role in the patronage of these artists, architects and composers. Most people are aware of the Masons through popular media and although countless conspiracy theories surround …

"A Vigorous Propaganda": The Peace Conferences Of 1899 And 1907, The Peace Palace, And Internationalism Through Design At The Hague, 1899–1920, Daniel Pecoraro

Theses and Dissertations

This thesis uncovers the history of the Peace Palace and The Hague’s role in the early days of the internationalist movement. In the process of localizing the early twentieth century history of The Hague, this thesis examines the development of international imagery and culture through design. The Peace Palace as we know it today was ultimately a result of tensions between internationalist ideas (cooperation, arbitration, modernity) and the pride of Old World nationalism. The final design by Louis Cordonnier and J. A. G. Van der Steur repudiates the feeling of modernity surrounding the idea of peace through arbitration. It is …

Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …

Housing Projects And Cityscape In Vienna: Apartment Buildings As Fortresses From Metaphor To Reality, Michael J. Zeps S.J.

History Faculty Research and Publications

No abstract provided.

The Socialist Design: Urban Dilemmas In Postwar Europe And The Soviet Union, Elidor Mehilli

Publications and Research

Taking a cue from two books—Stephen Bittner’s account of the “many lives” of the Soviet Thaw and Greg Castillo’s study of the Cold War as a series of battles in design and the domestic sphere—as well as a recent explosion of interest among historians in the Khrushchev era, “spatial history,” material culture, and East–West exchanges, this article addresses the paradoxes of the Thaw as exemplified in urban form. It argues for the interconnected nature of domestic, international, and Eastern bloc- level dynamics by viewing processes of the Thaw simultaneously from the angles of neighborhood, city, and empire. These angles capture …

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …

Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz

Honors Projects

Investigates the presence of metalworking in thirty-seven Roman forts in Scotland during the Flavian, Antonine, and Severan occupations largely through analysis of published documentation concerning relevant archaeological excavations.

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

Culture For Sale In Solvang, California: A Little Bit Of Denmark, Disney, Or Something Else?, Hanne Pico Larsen

The Bridge

Danish educators coming from a Danish settlement in the Midwest founded Solvang in 1911. During the first 20 years or so, Solvang looked like an average Pacific Coast American town - but underneath lurked Danish, Grundtvigian values and philosophy. Little by little, the picture changed. After World War II, many original buildings representing these Danish values, such as a Folk High School and an assembly hall, even if not particularly Danish looking, were demolished in order to provide space for new "Danish-style" buildings in the commercial center of town. A Danish-style architecture was introduced and since then, the town became …

Review Of Hitler And The Power Of Aesthetics, Michael F. Russo

Faculty Publications

No abstract provided.

Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel Gruber, Samuel D. Gruber

Art & Music Histories - All Scholarship

Presents examples of how legal system and city government action ordered the urban environment through regulations and actions for streets size and widths, building materials, size and appearance, and distribution of activities. As demonstrated in the medieval Umbrian town of Todi, such regulations helped create the image of the medieval town we appreciate today.

Scandinavia And The Prairie School: Chicago Landscape Artist Jens Jensen, J. R. Christianson

The Bridge

The "prairie" was a powerful symbol in Chicago around the tum of the present century. Louis Sullivan, Frank Lloyd Wright and others used it to characterize a new type of architecture with strong horizontal lines and free flowing interior spaces. Poets like Vachel Lindsay and Carl Sandburg sang the glories of a new breed of prairie man and woman, growing like Abraham Lincoln out of the environment of the American heartland. Among landscape artists, Jens Jensen was the leading figure of the Prairie School. He designed "prairie parks" for the city of Chicago, and landscapes appropriate to the new "prairie …