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Full-Text Articles in History

Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik Apr 2019

Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik

The Research and Scholarship Symposium (2013-2019)

The great philosophers of Ancient Greece have been studied in depth and are known throughout society. Famous Greek philosophers and writers, such as Plato and Pythagoras, formulated theories on musical philosophy — it’s purpose, use, dangers, power, and importance in society. Greek philosophy of music heavily influenced early European society’s view and development of music, it only partially supports Biblical views and principles of music and worship. Pythagoras introduces the theory that music is more than just entertainment with his notion of Music of the Spheres but fails to align with the biblical view of stars and planets as mere …


The Nuremberg Trials: A Troubled Legacy, Jacob T. Mach Apr 2018

The Nuremberg Trials: A Troubled Legacy, Jacob T. Mach

The Research and Scholarship Symposium (2013-2019)

The Second World War wreaked a measure of destruction unseen in human history. An unprecedented number of people died or were killed during the conflict across the European and Pacific theatres of war. Fighting waged for the better part of a decade, claiming nearly one hundred million lives, soldiers and civilians combined. American, British, and Russian forces finally surrounded Berlin in April 1945. Adolf Hitler, the cunning, vengeful, ideologically-driven leader who plunged the world in war, took a cyanide tablet and shot himself in his underground bunker only a week before Germany finally surrendered. The fighting in Europe finally ended …


French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart Apr 2017

French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart

The Research and Scholarship Symposium (2013-2019)

This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal …


The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker Apr 2017

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker

The Research and Scholarship Symposium (2013-2019)

This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …


The Sound Of The Silence: Music In World War Ii Concentration Camps, Jacob A. Tudor Apr 2014

The Sound Of The Silence: Music In World War Ii Concentration Camps, Jacob A. Tudor

The Research and Scholarship Symposium (2013-2019)

Music was a constant and crucial component of everyday life in World War II concentration camps. In the concentration camps, there were many genres of music performed and written by victims of German brutality. The Germans used the power of music in the concentration camps as a way to degrade and torture the victims. On the other hand, World War II concentration camp victims used music as a response of the perception to the reality of daily life. It was also used as a coping mechanism and a way to provide the strength to survive on a day-to-day basis. Furthermore, …


A Somewhat Silent Protest: How Dmitri Shostakovich Used His Music, Not His Words, To Rebel Against The Soviet Government, Michael J. Wood Apr 2014

A Somewhat Silent Protest: How Dmitri Shostakovich Used His Music, Not His Words, To Rebel Against The Soviet Government, Michael J. Wood

The Research and Scholarship Symposium (2013-2019)

Dmitri Shostakovich composed in an environment which was extremely hostile toward artists—especially those that were innovative. Shostakovich was denounced by the Soviet government and had to be cautious with his compositions. If the government disapproved of his work, they could have killed him, as they did other artists. Shostakovich obviously had to keep his opinions to himself for fear of being killed. Although he had to keep his unfavorable views of the Soviet government private, he found ways to make bold, rebellious statements through his music. This paper will seek to show several pieces in which Shostakovich demonstrated his disapproval …