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Full-Text Articles in History
Must Pay Now, David C. Perkins
Must Pay Now, David C. Perkins
UNLV Theses, Dissertations, Professional Papers, and Capstones
These poems attempt to stand amidst the towering shadows of Enlightenment. One of these pillars involves the newfound land from a collective western European vantage and these lands are called the Americas. This space is where these poems are located. They suckle at the monolithic breasts of Enlightened Romance as did Romulus and Remus to the She-Wolf. The poems in their own originality engage with writers such as Jonathan Edwards, Alice Notley, Susan Howe, Frank O’Hara, William Carlos Williams, Walt Whitman, Christina Rossetti, William Blake, and John Cage. If there ever was such a thread in tradition, these people might …
Moving Through Fear: A Conversation With Susan Campbell Bartoletti, Jennifer L. Fabbi, Amy L. Johnson
Moving Through Fear: A Conversation With Susan Campbell Bartoletti, Jennifer L. Fabbi, Amy L. Johnson
Library Faculty Publications
Prior to its release in August 2010, Susan Campbell Bartoletti's newest book, They Called Themselves the K.K.K.: The Birth of an American Terrorist Group (2010), received an incredibly positive response in the form of starred reviews from School Library Journal, Booklist, Publisher's Weekly, Horn Book, and Kirkus Reviews. Through her impeccable research and ability to weave a compelling story out of the place "where darkness and light smack up against each other" (Bartoletti & Zusak, 2008), she has made it possible for children and young adults to access and understand the horror of the Third Reich …
Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield
Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield
UNLV Theses, Dissertations, Professional Papers, and Capstones
Geoffrey Chaucer's distinctively English spins on such genres as dream vision, fabliau and Breton lai, as well as his liberal citation of authorities in Troilus and Criseyde, offered early modern English poets the license to mingle sources and authorities within their work, rather than bend their writing to fit the format. Few authors took such productive advantage of Chaucerian permissiveness as William Shakespeare, whose narrative poems defer to Chaucer's distinctively English authority with a regularity comparable to his uses of Homer, Ovid, Virgil and Plutarch. This free-associative approach to auctoritee, the whetstone of the poet-playwright's dramatic imagination, suggests that …