History Commons^™

Katherine Anne Porter : A Change In Her Mexican Perspective, Mario Paris-Fernandez

University of the Pacific Theses and Dissertations

Katherine Anne Porter regards Mexico as her "familiar country." lndeed, Mexico in the art of this gifted American writer is more important than generally believed for, as William Nance says, "Mexico entered into her earliest work as both motivating force and subject matter."

Miss Porter has traveled extensively in Mexico and lived there on several occasions. Her highly developed artistic sensibility has allowed her to gain more than a mere familiarity with the country, its inhabitants, and its history. Naturally, her deep knowledge of the culture is reflected in her artistic production, part of which is devoted exclusively to Mexico. …

The Indian Captivity Narrative: An American Genre, Richard Van Der Beets

University of the Pacific Theses and Dissertations

The vast body of Indian captivity narratives is known mostly to historians, anthropologists, and collectors of Americana. In the rare instances where informed scholarship has turned its attention to the narratives, emphasis has been upon the historical and cultural rather than the literary value of the tales. The Indian captivity narrative has been most commonly viewed as but a thread in the loose fabric of American cultural history, consisting of several "popular," sub-literary genres shaped and differentiated largely by the society for which the narratives were intended. The intention in this study is not so much to overturn that view …

Sinclair Lewis : Leader Of The Conflict With Conformity In Three Novels (Main Street, Babbitt, And Arrowsmith) 1920-1925, Albert Edwin Davenport

University of the Pacific Theses and Dissertations

The purpose of this paper is to analyze and discuss the conflict with conformity in three novels of Sinclair Lewis from 1920 to 1925. It is also the intention of this paper to identify Sinclair Lewis as the leader of the conflict - with - conformity movement of this period.

A Historical Survey And Evaluation Of The Most Prominent Theories That Shakespeare Did Not Write The Works Attributed To Him, Lola Vida Johnson

University of the Pacific Theses and Dissertations

The question of the authorship of the plays, poems, and sonnets traditionally attributed to the pen if William Shakespeare of Stratford-on-Avon has now been before the public for over one hundred years. Many of the most noted poets, playwrights, and nobles of the sixteenth and seventeenth centuries have been assigned the authorship of these works. The controversy can be compared to the controversy over Homer’s authorship. In 1975, Friederick Augustus Wolf proposed that Homer did not write The Iliad and The Odyssey. By 1900, Wolf had been disproven, but the question was one of great importance when it was first …

A History Of Morocco In Anglo-American Literature 1892-1957, Robert G. Wagner

University of the Pacific Theses and Dissertations

Although several studies exist in French on the French and English literature of Morocco up to the twentieth century, nothing of a similar nature is extant for books on the country in English. Moreover, no previous study included twentieth century English and American books. A survey of the serious works on Morocco reveals that that country has been generally neglected by American and English scholars as an area for Investigation.

An Essay On Character Portrayal, Style, And Technique Of Writing In Maxwell Anderson's Biographical Plays In Verse, Henry E. Hobson

University of the Pacific Theses and Dissertations

The purpose of this chapter is to acquaint the reader with the general scope and trend of Maxwell Anderson's work in order to give a more complete conspectus for the discussion of his plays. By so doing a foundation will be laid for a more intelligible discussion of the specific aspects of the seven plays concerned in the thesis proper, the title of which is, "An Essay on Character Portrayal, Style, and Technique of' Writing in Maxwell Anderson's Biographical Plays in Verse."

A Study Of The Tragic Elements In Shakespeare's Comedies, Dorothy Corson

University of the Pacific Theses and Dissertations

In a study of the tragic elements in Shakespeare's comedies, it is necessary to distinguish between the tragic and the comic and to note their relationship, before considering the subject proper.

Jealousy In Shakespeare's Tragedies, Harold M. Kimball

University of the Pacific Theses and Dissertations

In undertaking a study of the theme of jealousy, one must make some limitation of material. The field of literature as a whole, or the more limited ones of drama or even tragedy - each of these is too large for so short a study as this must be. Only certain aspects of such a restricted subject as the tragedies of Shakespeare can be given any thorough treatment, while others, both interesting and profitable, must be put aside; for instance, space will prohibit a careful comparison of Shakespeare's use of jealousy with that of other dramatists; nor can a study …