Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- 1978 (1)
- Alzaia (1)
- Arab (1)
- Arab art (1)
- Arcicoda (1)
-
- Art (1)
- Art against apartheid (1)
- Artist solidarity (1)
- Beirut (1)
- Chile (1)
- Circulations (1)
- Claude Lazar (1)
- Exhibition history (1)
- Ezzedine Kalak (1)
- Gontran Guanaes Netto (1)
- Histoire transnationale (1)
- Identités nationales (1)
- Intermédiaires musicaux (1)
- International Resistance Museum with Salvador Allende (1)
- International art exhibition for palestine (1)
- JAALA (1)
- Japan Afro Asian Latin American Artists association (1)
- Jeune peinture (1)
- Lebanon (1)
- MACBA (1)
- Mona Saudi (1)
- Nasser Soumi (1)
- Oral history (1)
- PLO (1)
- Palestine (1)
Articles 1 - 2 of 2
Full-Text Articles in History
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Artl@s Bulletin
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …
Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière
Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière
Artl@s Bulletin
In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.