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Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman May 2022

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …


The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier Jan 2012

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Carol Bier

No abstract provided.


Spanish And Mamluk Carpets: Comparisons Of Decoration And Structure, Carol Bier Jan 2004

Spanish And Mamluk Carpets: Comparisons Of Decoration And Structure, Carol Bier

Carol Bier

Two recent exhibitions, Carpets of Andalusia and Mamluk Rugs from Egypt, at The Textile Museum afforded a rare opportunity to compare two radically different rug-weaving traditions from the perspectives of design and weave structure. While not often evident to the casual viewer, there is a significant relationship between design, pattern, and weave structure in all Oriental carpets. The opportunity to explore such differences warrants careful examination and critical viewing.The Mamluk rugs all probably date from the last quarter of the 15th century. They comprise a cohesive group defined by color, a geometric style, and similarity of weave characteristics.