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Full-Text Articles in History

Acknowledging Our Past: Race, Landscape And History, Alea Harris, Kaycia Best, Dieran Mcgowan, Destiny Shippy, Vera Oberg, Bryson Coleman, Luke Meagher, Rhiannon Leebrick Ph.D., Phillip Stone Nov 2020

Acknowledging Our Past: Race, Landscape And History, Alea Harris, Kaycia Best, Dieran Mcgowan, Destiny Shippy, Vera Oberg, Bryson Coleman, Luke Meagher, Rhiannon Leebrick Ph.D., Phillip Stone

Student Scholarship

This book is the product of nearly a year's worth of student research on Wofford College's history, undertaken as part of a grant by the Council of Independent Colleges in the Humanities Research for the Public Good initiative. The research was supervised and directed by Dr. Rhiannon Leebrick.

"Guiding Research Questions:

How did Wofford College and its early stakeholders support and participate in slavery?

How is the legacy of slavery present in the landscape of our campus (buildings, statues, names, etc.)?

How can we better understand Wofford as an institution during the time of Reconstruction through the Jim Crow era? …


Too Much And Too Graphic: Dr. Ruth Westheimer And The Struggle For 1980s And 1990s Feminism, Louisa Marshall Jun 2020

Too Much And Too Graphic: Dr. Ruth Westheimer And The Struggle For 1980s And 1990s Feminism, Louisa Marshall

Voces Novae

During the second wave of feminism, spanning from the mid 1960s to the mid 1970s, the United States saw unprecedented levels of change regarding the status of women. However, the conservative administrations of Reagan and H.W. Bush that followed turned the tides against the feminist movement and towards re-establishing traditional gender roles. Trail blazing women, including sex therapist Dr. Ruth Westheimer, dedicated their 20th century careers to combating traditional sentiment, thus changing gender roles forever.


Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale May 2020

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

Theses and Dissertations

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.