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Chinese Porcelain And The Material Taxonomies Of Medieval Rabbinic Law: Encounters With Disruptive Substances In Twelfth-Century Yemen, Elizabeth Lambourn, Phillip I. Ackerman-Lieberman

The Medieval Globe

This article focuses on a set of legal questions about ṣīnī vessels (literally, “Chinese” vessels) sent from the Jewish community in Aden to Fustat (Old Cairo) in the mid-1130s CE and now preserved among the Cairo Geniza holdings in Cambridge University Library. This is the earliest dated and localized query about the status of ṣīnī vessels with respect to the Jewish law of vessels used for food consumption. Our analysis of these queries suggests that their phrasing and timing can be linked to the contemporaneous appearance in the Yemen of a new type of Chinese ceramic ware, qingbai, which confounded …

Introducing The Medieval Globe, Carol Symes

The Medieval Globe

The concept of “the medieval” has long been essential to global imperial ventures, national ideologies, and the discourse of modernity. And yet the projects enabled by this powerful construct have essentially hindered investigation of the world’s interconnected territories during a millennium of movement and exchange. The mission of The Medieval Globe is to reclaim this “middle age” and to place it at the center of global studies.

From Medieval To Renaissance: Paradigm Shifts And Artistic Problems In English Renaissance Drama, John Boni

Quidditas

In describing the change from Medieval to Renaissance, Theodore Spencer writes;

There finally came a time when realism, at first connected inextricably with religion, was used for its own sake. What we call the Renaissance began at that moment.

For Spencer, "realism" denotes an increased concern with depicting the actual world itself. As an illustration, one may cite the exclamation attributed to Paolo Uccello, "What a wonderful thing is this perspective!", an exclamation over a technique which aided him in more accurate representation of the world as he had begun to perceive it.