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Full-Text Articles in History
Remix The Manuscript: Transcription Tools Dataset 2.0, Michelle Warren, Arielle Feuerstein
Remix The Manuscript: Transcription Tools Dataset 2.0, Michelle Warren, Arielle Feuerstein
Other Faculty Materials
The document posted here is an annotated dataset of digital tools for transcribing handwritten manuscripts. Release 2.0 was created in 2022-23 by Arielle Feuerstein as part of the ongoing project "Remix the Manuscript: A Chronicle of Digital Experiments.” The file attached here contains the dataset as completed on June 28, 2023 along with credits for prior contributors.
Remix The Manuscript: A Chronicle Of Digital Experiments (2015-2020), Michelle R. Warren
Remix The Manuscript: A Chronicle Of Digital Experiments (2015-2020), Michelle R. Warren
Other Faculty Materials
Remix the Manuscript is a digital humanities research project centered around a single medieval manuscript, the Dartmouth Brut Chronicle (Rauner Codex MS 003183). This ongoing experiment with digital tools uses this one example to explore one broad question: How are the digital tools available today determining what we will know 100 years from now about things that happened 1000 years ago?
The Dartmouth Brut: Conservation, Authenticity, Dissemination, Deborah Howe, Michelle R. Warren
The Dartmouth Brut: Conservation, Authenticity, Dissemination, Deborah Howe, Michelle R. Warren
Dartmouth Scholarship
This essay describes the conservation process of the Dartmouth Brut manuscript: Dartmouth College, Rauner Special Collections Library, MS 003183. The format alternates between the observations and descriptions of the conservator, Deborah Howe, and those of medievalists Michelle Warren. The essay includes photos of Deborah's process in making a fragile fifteenth-century manuscript useable in the twenty-first century.
Situating Digital Archives, Michelle R. Warren
Situating Digital Archives, Michelle R. Warren
Dartmouth Scholarship
This essay is the introduction to an essay collection about the Middle English Prose Brut manuscript purchased by Dartmouth College in 2006. I consider how the competing pressures of access and preservation condition scholarship in medieval studies. I suggest several analogies between the digital humanities in general, digital philology in medieval studies, and the historical practices of medieval writers: hacking, dark archive, and prosthesis.