History Commons^™

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

Review/Report Of The Conference On The History Of The Book In Venice For The Sharp Newsletter (Society For The History Of Authorship, Reading And Publishing), Alice H.R.H. Beckwith

Art & Art History Faculty Publications

A review of a two day conference at the Istituto Veneto di Scienze, Lettere ed Arti on March 9-10 concerning the fifteenth-sixteenth century book industry in Renaissance Venice and Europe.