Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Claude Lazar (2)
- Nasser Soumi (2)
- 1978 (1)
- Alzaia (1)
- Arab (1)
-
- Arab art (1)
- Arcicoda (1)
- Aref Al-Rayess (1)
- Art (1)
- Art against apartheid (1)
- Artist solidarity (1)
- Artistic emigration; Centre / periphery dichotomy; Abstract art; Figurative art; (1)
- Beirut (1)
- Cause palestinienne (1)
- Chile (1)
- Exhibition history (1)
- Ezzedine Kalak (1)
- Gontran Guanaes Netto (1)
- Iconography (1)
- International Resistance Museum with Salvador Allende (1)
- International art exhibition for palestine (1)
- Ismail Shammout (1)
- JAALA (1)
- Japan Afro Asian Latin American Artists association (1)
- Jeune peinture (1)
- Lebanon (1)
- Lumumba (1)
- Lutfi Al-Qassem (1)
- L’Exposition Internationale pour la Palestine (1)
- MACBA (1)
Articles 1 - 4 of 4
Full-Text Articles in History
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
Artistic Emigration From Portugal To Paris In The First Half Of The 1960s: Six Portuguese Painters From Paris Revisited, Joana Baião
Artl@s Bulletin
This paper proposes to revisit some issues related to the impact of emigration on the paths followed by a group of six Portuguese painters who settled in Paris between 1958 and 1961. To do that, it will analyze and contextualize the evolution of their work in the first half of the 1960’s, and it will recall the small exhibition Seis Pintores Portugueses de Paris that opened in 1966 in Lisbon with the purpose of highlight the particularities of the artistic research that was being developed by those artists in Paris, integrating them into the international artistic movements of the period.
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, Nasser Soumi
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, Nasser Soumi
Artl@s Bulletin
En 1978, une Exposition Internationale pour la Palestine se tint à Beyrouth dans le but d’exposer les œuvres d’artistes internationaux solidaires du peuple palestinien, dans un quartier contrôlé par les Palestiniens et fréquenté par des militants libanais et arabes pro-Palestiniens. Lors de l’exposition, Nasser Soumi réalisa un sondage auprès du public palestino-libanais. A cette époque, son travail artistique ne correspondait pas à l’art révolutionnaire pratiqué par la majorité des artistes palestiniens. Sa préoccupation était la problématique existentielle de l’être humain—y compris celle des Palestiniens. Au-delà du public, il s’agissait donc à travers ce sondage de mieux se comprendre lui-même.
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Artl@s Bulletin
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …