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Portraits With A Posthumous Voice: Reinforcing And Contesting Social Norms In The Heterotopic Museum And Cemetery, Matthew J. Crissey

Museum Studies Theses

Abstract

The following paper qualitatively analyzes and documents over 500 memorial-photographs/etched portraits on tombstones in ten Western New York cemeteries. This paper covers fourteen topics, ranging from religion to gang-violence. A juxtaposition of portraits exhibited within the Smithsonian National Portrait Gallery with memorial-portraits on tombstones revealed heterotopic environments creating a public forum enabling the reinforcing or contestation of social ideologies. In other words, the author observed the similarities of identities and social norms publicly expressed on tombstones and gallery portraits.

A Social Constructionist approach enabled the study to examine how one social phenomenon contributes to the shaping of a culture. …

La Femme Bisclavret: The Female Of The Species?, Alison Langdon

Medieval Feminist Forum: A Journal of Gender and Sexuality

Conventional humanist readings of Bisclavret approach the lai from an anthropocentric perspective, in which animal nature is merely an allegory for human nature. In such a reading, the werewolf protagonist is a foil for his much more beastly if wholly human wife, with the underlying assumption being that animal nature is something to be rejected. That the marker of Lady Bisclavret's bestial nature—her noselessness—is transmitted through the generations of only female descendants seems to echo medieval antifeminist truisms about female perfidy. However, approaching the lai from a critical animal studies perspective can help dismantle conventional assumptions about the privileged status …