History Commons^™

Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer

Honors Projects

Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …

Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz

Honors Projects

Investigates the presence of metalworking in thirty-seven Roman forts in Scotland during the Flavian, Antonine, and Severan occupations largely through analysis of published documentation concerning relevant archaeological excavations.

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

Silenced Sacred Spaces: Selected Photographs Of Syrian Synagogues By Robert Lyons, Samuel Gruber, Samuel D. Gruber

Religion - All Scholarship

Discusses the history and architecture of the synagogues of Syria documented by photographer Robert Lyons in a survey sponsored by the Jewish Heritage Council of the World Monuments Fund.

"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

This paper, presented at a conference in 1995, presents impressions about the interior spaces of medieval Italian urban houses based on architecture, literature and painting. The paper in its present state refers to many works of art but is not illustrated or annotated.

Nace Una Ciudad. Origen Y Evolución De Las Murallas De Alicante., Pablo Rosser

pablo rosser

Se resume la historia de Alicante y su evolución urbanística a partir de la creación, desarrollo y evolución de los distintos anillos defensivos que se construyeron en Alicante desde la edad media hasta época contemporánea.

The Future Of Jewish Monuments, Samuel Gruber, Samuel D. Gruber

Religion - All Scholarship

Exhibition essay from first exhibition focused on the documentation, protection and preservation of Jewish monuments and historic sites. The exhibition opened in conjunction with the international conference "The Future of Jewish Monuments," organized by the Jewish Heritage Council of the World Monuments Fund. The exhibition focused on the needs of historic sites in Eastern Europe, North Africa, the united States and elsewhere, and made the case for international support.

Origen Y Evolución De Las Murallas De La Ciudad De Alicante., Pablo Rosser

pablo rosser

Libro sobre la creación y desarrollo de los distintos anillos defensivos que tuvo la villa y ciudad de alicante desde las primeras levantadas en época islámica. Este libro fue Premio de Investigación de la Conmemoración del Quinto Centenario de la Ciudad de Alicante en 1990.

Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel Gruber, Samuel D. Gruber

Art & Music Histories - All Scholarship

Presents examples of how legal system and city government action ordered the urban environment through regulations and actions for streets size and widths, building materials, size and appearance, and distribution of activities. As demonstrated in the medieval Umbrian town of Todi, such regulations helped create the image of the medieval town we appreciate today.