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Dressing Indian: Appropriation, Identity, And American Design, 1940-1968, Alison Rose Bazylinski Aug 2013

Dressing Indian: Appropriation, Identity, And American Design, 1940-1968, Alison Rose Bazylinski

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the ways the American fashion industry and fashion publications appropriated aspects of Indian cultures as marketing tools from 1940 to 1968 and the ways representations stereotypes created through fashion outlets denoted American and individual, rather than Native, identity. Representational stereotypes created at the turn of the twentieth century provided fashion merchandisers and sellers with a home-grown marketing scheme, while the development of an American fashion industry based on mass-produced, ready-to-wear sportswear led to nation-wide dissemination and use of "Indian" colors, patterns, and designs.


Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper Jun 2013

Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper

Honors Theses

My thesis examines the cultural formation of the social experience of “going to the movies.” There is no doubt of a unique quality associated with going to the movies that holds a significant place in America’s cultural history. It is quite difficult to imagine life without movies. Their visually stimulating effects successfully captivate our minds and allow for a short period of solace from reality. Furthermore, there is something magical at work in the social tradition of going to the movies where the idea of sitting in a dark auditorium filled with strangers all sharing the same viewing experience. This …


"Listen To The Wild Discord": Jazz In The Chicago Defender And The Louisiana Weekly, 1925-1929, Sarah A. Waits May 2013

"Listen To The Wild Discord": Jazz In The Chicago Defender And The Louisiana Weekly, 1925-1929, Sarah A. Waits

University of New Orleans Theses and Dissertations

This essay will use the views of two African American newspaper columnists, E. Belfield Spriggins of the Louisiana Weekly and Dave Peyton of the Chicago Defender, to argue that though New Orleans and Chicago both occupied a primary place in the history of jazz, in many ways jazz was initially met with ambivalence and suspicion. The struggle between the desire to highlight black achievement in music and the effort to adhere to tenets of middle class respectability play out in their columns. Despite historiographical writings to the contrary, these issues of the influence of jazz music on society were …