History Commons^™

Natural Law And Radical Autonomy In Antebellum American Literature, Andrew Urban

Theses and Dissertations

This dissertation examines the tension and conflict between conceptions of the natural law and the ideal of radical autonomy in the work of the antebellum American writers Ralph Waldo Emerson, Edgar Allan Poe, and Herman Melville. This tension and conflict was brought to the fore by the modernization of American society in the antebellum period. Modernization is here understood as the social process through which increasing recognition is given to individual autonomy, elevating the individual self, as the creator of meaning and value, above the standard provided by nature, including human nature, according to which one ought to live. This …

Historical Dissidence: The Temporalities And Radical Possibilities Of American Comics, Jeremy M. Carnes

Theses and Dissertations

Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form. Yet, these approaches implicitly rely on dominant, western logics of temporality in the construction of narrative in comics.

This project considers how comics form actually relies on various temporalities and thus …

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

The Meadow: A Novel, Scott Albert Winkler

Theses and Dissertations

ABSTRACT

THE MEADOW: A NOVEL

by

Scott A. Winkler

The University of Wisconsin-Milwaukee, 2015

Under the Supervision of Professor George Clark

The Meadow considers the question of how all Americans, both civilians and military personnel alike, are affected by the United States’ military actions. Set during the Vietnam era, The Meadow tells the story of Walt Neumann, who is torn between his dream of going to college and his father’s insistence that his sons serve their nation as he did in World War II. Circumstance unexpectedly enables Walt to pursue his dream, but he also comes to realize the source …

All Play And No Work: The Protestant Work Ethic And The Comic Plays Of The Federal Theatre Project, Paul Gagliardi

Theses and Dissertations

Given the massive unemployment of the era, the subject of work dominated the politics and culture of the Great Depression. In particular, most government programs of the New Deal sought to provide jobs or reinforce long-standing American views of working. These aims were reflected by the Federal Theatre Project (FTP), which was charged with providing jobs to unemployed theatre workers and uplifting the spirits of audiences. But the FTP also strove to challenge its audiences by staging overtly political theatre. In this context, many comic plays -which have long been ignored by scholars of the FTP - actually challenged work …

The Non-National Subject: Ambivalent "Americans" In Contemporary Narratives By Women Writers In The Us, Dalia Gomaa

Theses and Dissertations

This study argues that the notion of Americanness is constructed nationally within the U.S. geographic space, as well as transnationally outside that space. The transnational perception of the U.S. nation-space and Americanness makes possible ambivalent positionings which I call non-national and through its lens I examine migrant narratives by Arab-American, Chicana, Indian-American, Pakistani-American, and Cuban-American women writers. I explain in my study that the non-national subject does not merely occupy a liminal space between home-country and host-country but rather reconfigures the implications of the "foreign" and the "domestic"; "home" and "abroad" within that interstitial space. I also argue that the …